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Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum.
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According to Swiss legislation, visuals may be used free of charge for press purposes in the context of current reporting. By downloading and using the press images made available, you agree to our terms of use (see below) and to complying with copyright law as applicable to your national territory. The Fondation Beyeler is not the owner of these copyrights and declines all responsibility for copyright fees arising from the use of image and film material.
TERMS OF USE
Press images made available may be used exclusively by media outlets (print, online, TV, radio) in the context of their coverage of the respective exhibition, stating all copyright and legal notices provided. The images may be published only unaltered, without cropping or overprint. They may be published online only in low resolution (max. 72 dpi) and small size (max. 1600 pixel).
To download images, log in and use the image captions and associated copyrights ©. We look forward to receiving a sample copy. For further information, please do not hesitate to contact us personally.
Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Doris Salcedo: Palimpsest
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Doris Salcedo, Palimpsest, 2013–2017
Installation view, Fondation Beyeler, Riehen/Basel, 2022
Hydraulic equipment, ground marble, resin, corundum, sand and water; dimensions variable
© the artist
photo: Mark Niedermann
Wayne Thiebaud
Wayne Thiebaud, 35 Cent Masterworks, 1970−72
Oil on canvas, 91.4 x 61 cm
Collection of the Wayne Thiebaud Foundation
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Wayne Thiebaud, Eating Figures (Quick Snack), 1963
Oil on canvas, 181.6 x 120.7 cm
Private Collection, Courtesy Acquavella Galleries
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Wayne Thiebaud, Girl with Pink Hat, 1973
Oil on canvas, 91.4 x 74.9 cm
San Francisco Museum of Modern Art Donation by Jeannette Powell
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Photo: Katherine Du Tiel
Wayne Thiebaud, Student, 1968
Oil on canvas, 152.7 x 122.2 cm
The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Photo: Katherine Du Tiel
Wayne Thiebaud, Pie Rows, 1961
Oil on canvas, 55.9 x 71.1 cm
Collection of the Wayne Thiebaud Foundation
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Photo: Matthew Kroening
Wayne Thiebaud, Three Cones, 1964
Oil on cardboard, 33 x 37.5 cm
Collection of Bill and Donna Acquavella
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Wayne Thiebaud, Two Paint Cans, 1987
Oil on paper mounted on cardboard, 34.9 x 50.5 cm
Collection of the Wayne Thiebaud Foundation
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Photo: Matthew Kroening
Wayne Thiebaud, Flood Waters, 2006/2013
Oil on canvas, 121.9 x 152.4 cm
Private Collection, Courtesy Acquavella Galleries
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Wayne Thiebaud, Untitled (City View), 1993
Oil on canvas, 50.8 x 40.6 cm
Collection of the Wayne Thiebaud Foundation
© Wayne Thiebaud Foundation/2022, ProLitteris, Zurich
Photo: Matthew Kroening
Picasso. Künstler und Modell – Letzte Bilder
Pablo Picasso, Le peintre et son modèle, 26.3.1963
Oil on canvas, 130 x 162 cm
Esther Grether Family Collection
© Succession Picasso / 2022, ProLitteris, Zurich
Pablo Picasso, Le peintre et son modèle, 28.3.1963
Oil on canvas, 130 x 162 cm
Nahmad Collection
© Succession Picasso/2022, ProLitteris, Zurich
Pablo Picasso, Tête d’homme, 19.1.1972
Oil on canvas, 100 x 81 cm
Anthax Collection Marx, Permanent loan Fondation Beyeler
© Succession Picasso/2022, ProLitteris, Zurich
Doris Salcedo
Doris Salcedo, Untitled, 2003
Installation for the 8th International Istanbul Biennial 2003
1550 wooden chairs
© the artist
Photo © Sergio Clavijo. Courtesy White Cube
Basquiat. The Modena Paintings
Jean-Michel Basquiat, The Guilt of Gold Teeth, 1982
Acrylic, spray paint and oilstick on canvas, 240 x 421,3 cm
Nahmad Collection
© Estate of Jean-Michel Basquiat. Licensed by Artestar, New York
Niko Pirosmani
Niko Pirosmani, Giraffe
Oil on waxcloth, 137.4 x 111.7 cm
Georgian National Museum
© Infinitart Foundation
Photo: Roberto Bigano
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Henri Matisse, Nu bleu, la grenouille, 1952
Blue Female Nude, the Frog
Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird
Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer
Photo: Caroline Minjolle
29,7 MB
Installation views
View of the permanent collection of the Fondation Beyeler, Monet room, 2013
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler, 2014
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2015
Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2014
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBNew Museum Building
New Museum Building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building (left) and pavillion (right), view from Berower Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB
