WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum.
Copyright
According to Swiss legislation, visuals may be used free of charge for press purposes in the context of current reporting. By downloading and using the press images made available, you agree to our terms of use (see below) and to complying with copyright law as applicable to your national territory. The Fondation Beyeler is not the owner of these copyrights and declines all responsibility for copyright fees arising from the use of image and film material.
TERMS OF USE
Press images made available may be used exclusively by media outlets (print, online, TV, radio) in the context of their coverage of the respective exhibition, stating all copyright and legal notices provided. The images may be published only unaltered, without cropping or overprint. They may be published online only in low resolution (max. 72 dpi) and small size (max. 1600 pixel).
To download images, log in and use the image captions and associated copyrights ©. We look forward to receiving a sample copy. For further information, please do not hesitate to contact us personally.
Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Georgia O'Keeffe
Georgia O’Keeffe, Oriental Poppies, 1927
Oil on canvas, 76.7 x 102.1 cm
Collection of the Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis. Museum purchase.
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Georgia O’Keeffe, Jack-in-the-Pulpit No. IV, 1930
Oil on canvas, 101.6 x 76.2 cm
National Gallery of Art, Washington, Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe, 1987
© Board of Trustees, National Gallery of Art, Washington
Georgia O’Keeffe, Jimson Weed / White Flower No.1, 1932
Oil on canvas, 121.9 x 101.6 cm
Crystal Bridges Museum of American Art, Bentonville, Arkansas
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Edward C. Robison III.
Georgia O’Keeffe, Abstraction – Alexius, 1928
Oil on canvas, 91.4 x 76.2 cm
Regula and Beat Curti
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Courtesy of the Georgia O'Keeffe Museum
Georgia O’Keeffe, Lake George with Crows, 1921
Oil on cavas, 72 x 63.2 cm
National Gallery of Canada, Ottawa. Gift of the Georgia O'Keeffe Foundation, Abiquiu, New Mexico, 1995
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: NGC
Georgia O’Keeffe, Pelvis with the Distance, 1943
Oil on canvas, 60.6 x 75.6 cm
Indianapolis Museum of Art at Newfields, Gift of Anne Marmon Greenleaf in memory of Caroline Marmon Fesler,
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Georgia O’Keeffee, The Chestnut Tree – Grey, 1924
Oil on canvas, 91.44 x 76.2 cm
Myron Kunin Collection of American Art, Minneapolis, MN
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Minneapolis Institute of Art
Georgia O’Keeffe, New York Street with Moon, 1925
Oil on canvas, 122 x 77 cm
Carmen Thyssen-Bornemisza Collection on loan to the Museo Nacional Thyssen-Bornemisza, Madrid
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Provenance: Carmen Thyssen-Bornemisza Collection on loan at the Museo Nacional Thyssen-Bornemisza, Madrid
Georgia O’Keeffe, Gray Cross with Blue, 1929
Oil on canvas, 91.4 x 61 cm
Albuquerque Museum, museum purchase, 1983 & 1985 General Obligation Bonds, Frederick R. Weisman Foundation, Ovenwest Corporation, and The Albuquerque Museum Foundation
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: David Nufer
Georgia O’Keeffe, Black Mesa Landscape, New Mexico / Out Back of Marie’s II, 1930
Oil on canvas, 61.6 x 92.1 cm
Georgia O‘Keeffe Museum, Santa Fe, NM. Gift of The Burnett Foundation, 1997
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Georgia O‘Keeffe Museum, Santa Fe / Art Resource, NY
Georgia O’Keeffe, From the Lake No. 1, 1924
Oil on canvas, 91.4 cm x 76.2
Des Moines Art Center, Nathan Emory Coffin Collection, purchased with funds from the Coffin Fine Arts Trust, 1984
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: Rich Sanders, Des Moines
Georgia O’Keeffe, Grey Blue & Black—Pink Circle, 1929
Oil on canvas, 91.4 x 121.9 cm
Dallas Museum of Art, Gift of the Georgia O‘Keeffe Foundation
© Dallas Museum of Art
Photo: Courtesy Dallas Museum of Ar
Georgia O’Keeffe Patio with Cloud, 1956
Oil on canvas, 91.44 × 76.2 cm
Milwaukee Art Museum, Gift of Mrs. Edward R. Wehr
© Georgia O’Keeffe Museum / 2021, ProLitteris, Zurich
Photo: John R. Glembin
Georgia O’Keeffe, Series I, No. 8, 1919
Oil on canvas, 51 x 41 cm
Städtische Galerie im Lenbachhaus und Kunstbau Munich, Gift of the Georgia O‘Keeffe Foundation
© Städtische Galerie im Lenbachhaus und Kunstbau Munich
Georgia O’Keeffe, Train at Night in the Desert, 1916
Watercolor and pencil on paper, 30.3 x 22.5 cm
The Museum of Modern Art, New York. Acquired with matching funds from the Committee on Drawings and the National Endowment for the Arts, 1979.
© Georgia O‘Keeffe Museum / 2021, Pro Litteris, Zurich
Photo: © 2021. Digital image, The Museum of Modern Art, New York/Scala, Florence
Mondrian
Piet Mondrian Woods near Oele (Bosch: Bos bij Oele), 1908
Oil on canvas, 128 x 158 cm
Kunstmuseum Den Haag, S. B. Slijper Bequest
© 2021 Mondrian/Holtzman Trust
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
Piet Mondrian Conservation Project
The conservation team at work
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938, Tableau No. I, 1921–1925, Composition with Double Line and Blue, 1935
Riehen / Basel, Beyeler Collection, © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA, Photo: Mark Niedermann
Piet Mondrian, Eukalyptus, 1912
Oil on canvas, 60,0 x 51,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. XVI (Compositie I, Arbres), 1912–1913
Oil on canvas, 85,5 x 75,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. VI (Composition 9, Blue Façade), 1914
Oil on canvas, 95,5 x 68,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Tableau No. I, 1921–1925
Oil on canvas, 75,5 x 65,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Yellow and Blue, 1932
Oil on canvas, 55,5 x 55,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection; acquired with a contribution by
Hartmann P. und Cécile Koechlin-Tanner, Riehen © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Double Line and Blue, 1935
Oil on canvas, 72,5 x 70,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938
Oil on canvas, 100,5 x 100,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Henri Matisse, Nu bleu, la grenouille, 1952
Blue Female Nude, the Frog
Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird
Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer
Photo: Caroline Minjolle
29,7 MB
Installation views
View of the permanent collection of the Fondation Beyeler, Monet room, 2013
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler, 2014
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2015
Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2014
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBExtension Project
Extension Project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art (left) and Pavillon (right), View from the Berower Park
Courtesy Atelier Peter Zumthor
Extension Project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB
