WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum.
Copyright
According to Swiss legislation, visuals may be used free of charge for press purposes in the context of current reporting. By downloading and using the press images made available, you agree to our terms of use (see below) and to complying with copyright law as applicable to your national territory. The Fondation Beyeler is not the owner of these copyrights and declines all responsibility for copyright fees arising from the use of image and film material.
TERMS OF USE
Press images made available may be used exclusively by media outlets (print, online, TV, radio) in the context of their coverage of the respective exhibition, stating all copyright and legal notices provided. The images may be published only unaltered, without cropping or overprint. They may be published online only in low resolution (max. 72 dpi) and small size (max. 1600 pixel).
To download images, log in and use the image captions and associated copyrights ©. We look forward to receiving a sample copy. For further information, please do not hesitate to contact us personally.
Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Mondrian Evolution
Piet Mondrian, Woman with Spindle, c. 1893–1896
Oil on canvas, 36.8 × 29.8 cm
Courtesy Pace Gallery
© 2022 Mondrian/Holtzman Trust
Photo: Kerry Ryan McFate
Piet Mondrian, The Red Cloud, 1907
Oil on cardboard, 64 x 75 cm
Kunstmuseum Den Haag, The Hague, The Netherlands
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Church Tower at Domburg, 1911
Oil on canvas, 114 × 75 cm
Kunstmuseum Den Haag, The Hague, The Netherlands, bequest Salomon B. Slijper
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Oostzijdse Mill in the Evening, ca. 1907–1908
Oil on canvas, 67.5 × 117.5 cm
Kunstmuseum Den Haag, The Hague, the Netherlands, bequest Salomon B. Slijper
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Mill in Sunlight, 1908
Oil on canvas, 114.8 x 87 cm
Kunstmuseum Den Haag, The Hague, The Netherlands, bequest Salomon B. Slijper; This painting has been restored with financial support from American Express
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Windmill in the Evening, 1917
Oil on canvas, 103 × 86 cm
Kunstmuseum Den Haag, The Hague, The Netherlands, bequest Salomon B. Slijper
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Woods near Oele, 1908
Oil on canvas, 128 × 158 cm
Kunstmuseum Den Haag, The Hague, The Netherlands, bequest Salomon B. Slijper
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Farm near Duivendrecht, ca. 1916
Oil on canvas, 86.3 x 107.9 cm
The Art Institute of Chicago, gift of Dolly J. van der Hoop Schoenberg
© 2022 Mondrian/Holtzman Trust
Photo: bpk/The Art Institute of Chicago / Art Resource, NY
Piet Mondrian, Evening: The Red Tree, 1908–1910
Oil on canvas, 70 x 99 cm
Kunstmuseum Den Haag, The Hague, The Netherlands
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian, Tree, 1912 (?)
Oil on canvas, 74.9 × 111.8 cm
Munson Williams Proctor Arts Institute, Museum of Art, Utica, NY
© 2022 Mondrian/Holtzman Trust
Photo: bpk/Staatsgalerie
Piet Mondrian, Flowering Apple Tree, 1912
Oil on canvas, 78.5 × 107.5 cm
Kunstmuseum Den Haag, The Hague, The Netherlands
© 2022 Mondrian/Holtzman Trust
Photo: Kunstmuseum Den Haag
Piet Mondrian Composition No. II, 1913
Oil on canvas, 88 × 115 cm
Kröller-Müller Museum, Otterlo, The Netherlands
© 2022 Mondrian/Holtzman Trust
Photo: Rik Klein Gotnik
Piet Mondrian, No. VI / Composition No. II, 1920
Oil on canvas, 99.7 x 100.3 cm
Tate, purchased in 1967
© 2021 Mondrian/Holtzman Trust
Photo: Tate
Piet Mondrian, Composition with Yellow and Blue, 1932
Oil on canvas, 55.5 x 55.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection; purchased with a donation by Hartmann P. and Cécile Koechlin-Tanner, Riehen
© Mondrian/Holtzman Trust
Photo: Robert Bayer, Basel
Piet Mondrian, Lozenge Composition with Eight Lines and Red / Picture No. III, 1938
Oil on canvas, diagonals 141.5 cm, sides 100 x 100 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Mondrian/Holtzman Trust
Photo: Robert Bayer, Basel
Doris Salcedo
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © White Cube (Theo Christelis)
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © Juan Fernando Castro
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © Juan Fernando Castro
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © Patrizia Tocci
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © Patrizia Tocci
Doris Salcedo, Palimpsest, 2013–2017
Hydraulic equipment, ground marble, resin, corundum, sand and water; Dimensions variable
© the artist.
Photo: © Joaquín Cortés - Román Lores
Passages - Landscape, Figure and Abstraction
Claude Monet, La cathédrale de Rouen: Le Portail (Effet du matin), 1894
Oil on canvas, 107 x 74 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer
Gerhard Richter, Wolke, 1976
Oil on canvas, 200 x 300cm
Private Collection
© Gerhard Richter 2022
Agnes Martin, Flower in the Wind, 1963
Oil and pencil on canvas, 191 x 191 cm
Daros Collection, Switzerland
© Agnes Martin Foundation, New York / 2022, ProLitteris, Zurich
Mark Rothko, Blue and Gray, 1962
Oil on canvas, 193 x 175 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© 1998 Kate Rothko Prizel & Christopher Rothko / 2022, ProLitteris, Zurich
Photo: Robert Bayer
Gerhard Richter, 5.1.2022 (4), 2022
Glass paint on paper, 21 x 29.7 cm
© Gerhard Richter 2022
Photo: farbanalyse, Cologne
[Translate to Englisch:] Gerhard Richter, 5.1.2022 (7), 2022
Glass paint on paper, 21 x 29.7 cm
© Gerhard Richter 2022
Photo: farbanalyse, Cologne
Gerhard Richter, 8.1.2022 (2), 2022
Glass paint on paper, 21 x 29.7 cm
© Gerhard Richter 2022
Photo: farbanalyse, Cologne
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
Piet Mondrian Conservation Project
The conservation team at work
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938, Tableau No. I, 1921–1925, Composition with Double Line and Blue, 1935
Riehen / Basel, Beyeler Collection, © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA, Photo: Mark Niedermann
Piet Mondrian, Eukalyptus, 1912
Oil on canvas, 60,0 x 51,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. XVI (Compositie I, Arbres), 1912–1913
Oil on canvas, 85,5 x 75,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. VI (Composition 9, Blue Façade), 1914
Oil on canvas, 95,5 x 68,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Tableau No. I, 1921–1925
Oil on canvas, 75,5 x 65,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Yellow and Blue, 1932
Oil on canvas, 55,5 x 55,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection; acquired with a contribution by
Hartmann P. und Cécile Koechlin-Tanner, Riehen © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Double Line and Blue, 1935
Oil on canvas, 72,5 x 70,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938
Oil on canvas, 100,5 x 100,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Henri Matisse, Nu bleu, la grenouille, 1952
Blue Female Nude, the Frog
Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird
Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer
Photo: Caroline Minjolle
29,7 MB
Installation views
View of the permanent collection of the Fondation Beyeler, Monet room, 2013
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler, 2014
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2015
Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2014
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBNew Museum Building
New Museum Building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building (left) and pavillion (right), view from Berower Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB
