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Rodin/Arp

Auguste Rodin, The Thinker

1880/1896, MAH Musée d'Art et d'histoire, Ville de Genève, Photo: Flora Bevilacqua

Hans Arp, Ptolemäus III, 1961

Bronze, 201 x 113 x 76.5 cm, Kunstmuseum Basel © 2020, ProLitteris, Zürich
Photo: Martin P. Bühler

Hans Arp, Torso-Garbe, 1958

Torso-sheaf, Marble, 79.5 x 37.0 x 28.5 cm, Collection privée, © 2020, ProLitteris, Zurich. Photo: © Manolo Mylonas

Auguste Rodin, Iris, messagère des Dieux (Figure volante), 1890-1891

Iris, Messenger of the Gods, Bronze, 83.3 x 87.0 x 36.0 cm; Fondation Beyeler, Riehen/Basel, Beyeler Collection, Photo: Robert Bayer


UBS Artist Talk Susan Philipsz

Susan Philipsz

Photo: Pati Grabowicz


The lion is hungry

Henri Rousseau, The Hungry Lion Attacking an Antelope, 1898/1905

Oil on canvas, 200.0 x 301.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer


Louise Bourgeois, SPIDER IV, 1996

Steel, 198.0 x 175.0 x 53.3 cm
Private Collection, New York
© The Easton Foundation / 2020, ProLitteris, Zurich Photo: Mark Niedermann

Joan Mitchell, Untitled, 1957

Oil on canvas, 226.1 x 288.3 cm
Private Collection
© The Joan Mitchell Foundation Inc., New York Photo: Robert Bayer, Basel

Wassily Kandinsky, Fuga, 1914

Oil on canvas, 129.5 x 129.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection Photo: Robert Bayer, Basel

Susan Philipsz, Seven Tears, 2016

Fondation Beyeler, Riehen / Basel
Photo: Kunstverein Hannover, Hannover, 2016, Támas Kende

Vincent van Gogh, Field with Stacks of Grain, 1890

Oil on canvas, 50.0 x 100.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection Photo: Robert Bayer, Basel

View of the permanent collection of the Fondation Beyeler

Henri Rousseau, The Hungry Lion Attacking an Antelope, 1898/1905, Alexander Calder , Otto's Mobile, 1952
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler

Clyfford Still, PH - 131, 1951, Private Collection
Willem De Kooning, Untitled V, 1983, Untitled XXI, 1976, Ananda Foundation NV
Photo: Mark Niedermann


Fokus-Ausstellung Roni Horn "You are the Weather"

Roni Horn, You are the Weather, 1994–96 (Detail)

© Roni Horn, Courtesy Sammlung Goetz, München

Roni Horn, You are the Weather, 1994–96 (Details)

© Roni Horn, Courtesy Sammlung Goetz, München


Piet Mondrian Conservation Project

The conservation team at work

Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938, Tableau No. I, 1921–1925, Composition with Double Line and Blue, 1935
Riehen / Basel, Beyeler Collection, © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA, Photo: Mark Niedermann

Piet Mondrian, Eukalyptus, 1912

Oil on canvas, 60,0 x 51,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Composition No. XVI (Compositie I, Arbres), 1912–1913

Oil on canvas, 85,5 x 75,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Composition No. VI (Composition 9, Blue Façade), 1914

Oil on canvas, 95,5 x 68,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Tableau No. I, 1921–1925

Oil on canvas, 75,5 x 65,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Composition with Yellow and Blue, 1932

Oil on canvas, 55,5 x 55,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection; acquired with a contribution by
Hartmann P. und Cécile Koechlin-Tanner, Riehen © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Composition with Double Line and Blue, 1935

Oil on canvas, 72,5 x 70,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel

Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938

Oil on canvas, 100,5 x 100,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel


Silent Vision – Images of Calm and Quiet at the Fondation Beyeler

Mark Rothko, Untitled (Red-Brown, Black, Green, Red), 1962

Oil on canvas, 206.0 x 193.5 cm, Fondation Beyeler, Riehen/Basel, Beyeler Collection: © 1998 Kate Rothko Prizel & Christopher Rothko / 2019, ProLitteris, Zurich; Photo: Peter Schibli

Pablo Picasso, Buste de femme de profil (Femme écrivant), 1932

Oil on canvas, 143 x 100 cm
private collection, long term loan at the Fondation Beyeler
© Succession Picasso / 2020, ProLitteris, Zurich


Goya

Francisco de Goya, La maja vestida, 1800-1807

Oil on canvas
95 x 190 cm
Museo Nacional del Prado, Madrid
© Photographic Archive. Museo Nacional del Prado. Madrid

Francisco de Goya, Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo, XIII duquesa de Alba, 1795

Oil on canvas
192 x 128 cm
Fundación Casa de Alba, Palacio de Liria, Madrid.

Francisco de Goya, Witches’ Sabbath (El Aquelarre), 1797-98

Oil on canvas
43 × 30 cm
Museo Lázaro Galdiano, Madrid


Close Up

Berthe Morisot, Girl on a Divan, (Jeune Femme au Divan), 1885

Oil on canvas
61 x 50.2 cm
Tate, London; Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie
through the Friends of the Tate Gallery 1968, Photo ©Tate


Beyeler Restaurant im Park

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Water Lillies

Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blue Female Nude, the Frog

Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Forest witches

Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird

Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Walking Man II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The Fondation Beyeler in summer

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The annual Summer Party

Photo: Mathias Mangold

Concert at the annual Summer Party

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space

Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning