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The use of image material may incur copyright fees. According to Swiss Law image material may also be used free of charge for press purposes in the context of current reporting. However, this use is only permitted in connection with the current exhibition and within the course of its duration.

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Silke Kellner-Mergenthaler
Head of Communications
Tel. +41 - (0)61 - 645 97 21
presse@fondationbeyeler.ch

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Silent Vision – Images of Calm and Quiet at the Fondation Beyeler

Mark Rothko, Untitled (Red-Brown, Black, Green, Red), 1962

Oil on canvas, 206.0 x 193.5 cm, Fondation Beyeler, Riehen/Basel, Beyeler Collection: © 1998 Kate Rothko Prizel & Christopher Rothko / 2019, ProLitteris, Zurich; Photo: Peter Schibli

Pablo Picasso, Buste de femme de profil (Femme écrivant), 1932

Oil on canvas, 143 x 100 cm
private collection, long term loan at the Fondation Beyeler
© Succession Picasso / 2020, ProLitteris, Zurich


Film Stills: TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER

TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER‘ by Wim Wenders, 2020 © Road Movies

TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER‘ by Wim Wenders, 2020 © Road Movies


Edward Hopper

Edward Hopper, Cape Cod Morning, 1950

Oil on canvas
86.7 x 102.3 cm
Smithsonian American Art Museum, Gift of the Sara Roby Foundation
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: Smithsonian American Art Museum, Gene Young

Edward Hopper, Gas, 1940

Oil on canvas
66.7 x 102.2 cm
The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
© 2019 Digital image, The Museum of Modern Art, New York / Scala, Florence

Edward Hopper, Railroad Sunset, 1929

Oil on canvas
74.5 x 122.2 cm
Whitney Museum of American Art, New York; Josephine N. Hopper Bequest, Inv. N.: 70.1170. © Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Lighthouse Hill, 1927

Oil on canvas
73.8 x 102.2 cm
Dallas Museum of Art, gift of Mr. and Mrs. Maurice Purnell
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: Dallas Museum of Art, Photo by Brad Flowers

Edward Hopper, Cape Ann Granite, 1928

Oil on canvas
73.5 x 102.3 cm
Private Collection
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich

Edward Hopper Portrait of Orleans, 1950

Oil on canvas
66 x 101.6 cm
Fine Arts Museums of San Francisco, gift of Jerrold and June Kingsley
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: Randy Dodson, The Fine Arts Museums of San Francisco

Edward Hopper Lee Shore, 1941

Oil on canvas
71.8 x 109.2 cm
The Middleton Family Collection
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Photo Art Resource / Scala, Florence

Edward Hopper, Second Story Sunlight, 1960

Oil on canvas
102.1 x 127.3 cm
Whitney Museum of American Art, New York; Purchase, with funds from the Friends of the Whitney Museum of American Art., Inv. N.: 60.54. © Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Burly Cobb’s House, South Truro, 1930–1933

Oil on canvas
64.1 x 92.1 cm
Whitney Museum of American Art, New York, Josephine N. Hopper Bequest
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Cobb’s Barns, South Truro, 1930–1933

Oil on canvas
87.2 x 127.2 cm
Whitney Museum of American Art, New York, Josephine N. Hopper Bequest
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Cobb’s Barns, South Truro, 1930–1933

Oil on canvas, 74 x 109.5 cm
Whitney Museum of American Art, New York, Josephine N. Hopper Bequest
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Road and Houses, South Truro, 1930–1933

Oil on canvas
68.4 x 109.7 cm
Whitney Museum of American Art, New York, Josephine N. Hopper Bequest
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala

Edward Hopper Square Rock, Ogunquit, 1914

Oil on canvas
61.8 x 74.3 cm
Whitney Museum of American Art, New York, Josephine N. Hopper Bequest
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
Photo: © 2019. Digital image Whitney Museum of American Art / Licensed by Scala


Goya

Francisco de Goya, La maja vestida, 1800-1807

Oil on canvas
95 x 190 cm
Museo Nacional del Prado, Madrid
© Photographic Archive. Museo Nacional del Prado. Madrid

Francisco de Goya, Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo, XIII duquesa de Alba, 1795

Oil on canvas
192 x 128 cm
Fundación Casa de Alba, Palacio de Liria, Madrid.

Francisco de Goya, Witches’ Sabbath (El Aquelarre), 1797-98

Oil on canvas
43 × 30 cm
Museo Lázaro Galdiano, Madrid


Close Up

Berthe Morisot, Girl on a Divan, (Jeune Femme au Divan), 1885

Oil on canvas
61 x 50.2 cm
Tate, London; Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie
through the Friends of the Tate Gallery 1968, Photo ©Tate


Beyeler Restaurant im Park

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.

Beyeler Restaurant im Park, 2019. Photo: Robert Rieger.


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Water Lillies

Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blue Female Nude, the Frog

Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Forest witches

Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird

Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Walking Man II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The Fondation Beyeler in summer

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The annual Summer Party

Photo: Mathias Mangold

Concert at the annual Summer Party

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
Pavilion and House for Art (left-hand side), view from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space

Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning