WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum.
Copyright
According to Swiss legislation, visuals may be used free of charge for press purposes in the context of current reporting. By downloading and using the press images made available, you agree to our terms of use (see below) and to complying with copyright law as applicable to your national territory. The Fondation Beyeler is not the owner of these copyrights and declines all responsibility for copyright fees arising from the use of image and film material.
TERMS OF USE
Press images made available may be used exclusively by media outlets (print, online, TV, radio) in the context of their coverage of the respective exhibition, stating all copyright and legal notices provided. The images may be published only unaltered, without cropping or overprint. They may be published online only in low resolution (max. 72 dpi) and small size (max. 1600 pixel).
To download images, log in and use the image captions and associated copyrights ©. We look forward to receiving a sample copy. For further information, please do not hesitate to contact us personally.
Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Over the Rainbow
Ugo Rondinone, we are poems, 2011
Installation view Fondation Beyeler, Riehen/Basel, 2025
Neon, acrylic glass, translucent foil, aluminum, Object 370.5 x 1000 x 14.5 cm / 145 3/4 x 393 3/4 x 5 3/4 in, Private Collection, Switzerland, Courtesy Studio Rondinone, Galerie Eva Presenhuber, Sadie Coles HQ, Esther Schipper Gallery, Mennour, Gladstone Gallery, and Kukje Gallery, © Ugo Rondinone
Photo: Kostas Maros
Northern Lights
Edvard Munch, Train Smoke, 1900
Oil on canvas, 84.5 x 109 cm
Munchmuseet, Oslo
Photo: Munchmuseet / Halvor Bjørngård
Hilma af Klint, Sunrise (Preworks for Group III), 1907
Oil on canvas, 95 x 60 cm
HaK 37
Courtesy The Hilma af Klint Foundation
Harald Sohlberg, A House by the Coast (Fisherman’s Cottage), 1906
Oil on canvas, 109 x 94 cm
The Art Institute of Chicago, gift of Edward Byron Smith
Photo: bpk / The Art Institute of Chicago / Art Resource, NY
Helmi Biese, View from Pyynikki Ridge, 1900
Oil on canvas, 91 x 115 cm
Finnish National Gallery, Ateneum Art Museum, Hoving Collection
Photo: Finnish National Gallery / Aleks Talve
Akseli Gallen-Kallela, Spring Night, 1914
Oil on canvas, 115.5 x 115.6 cm
Lillehammer Art Museum, deposited by The Savings Bank Foundation DNB
Photo: Camilla Damgård
Prince Eugen, Orlången Lake, Balingsta, 1891
Oil on canvas, 90 x 81 cm
Prins Eugens Waldemarsudde, Stockholm
Photo: Lars Engelhardt / Prins Eugens Waldemarsudde
Anna Boberg, Northern Lights. Study from North Norway, n.d.
Oil on canvas, 97 x 75 cm
Nationalmuseum, Stockholm, bequest 1946
Ferdinand and Anna Boberg
Photo: Anna Danielsson/Nationalmuseum
Emily Carr, Abstract Tree Forms, 1931/32
Oil on paper, 61.1 x 91.1 cm
Collection of the Vancouver Art Gallery, Emily Carr Trust
Photo: Vancouver Art Gallery
Gustaf Fjæstad, Winter Moonlight, 1895
Oil on canvas, 100 x 124 cm
Nationalmuseum, Stockholm
Photo: Hans Thorwid/Nationalmuseum
Lawren S. Harris, Lake Superior, ca. 1923
Oil on canvas, 111.8 x 126.9 cm
The Thomson Collection at the Art Gallery of Ontario
© Family of Lawren S. Harris
Photo: AGO
J. E. H. MacDonald, Algonquin Park, 1914
Oil on wood panel, 20.3 x 25.4 cm
Private Collection
Iwan Shishkin, Wind Fallen Trees, 1888
Charcoal on canvas, 138 x 201 cm
Finnish National Gallery, Ateneum Art Museum
Photo: Finnish National Gallery/Hannu Pakarinen
Harald Sohlberg, A House by the Coast (Fisherman’s Cottage), 1906
Oil on canvas, 109 x 94 cm
The Art Institute of Chicago, gift of Edward Byron Smith
Photo: bpk / The Art Institute of Chicago / Art Resource, NY
Tom Thomson, Northern Lights, 1916 or 1917
Oil on wood, 21.5 x 26.7 cm
National Gallery of Canada, Ottawa,
bequest of Dr. J. M. MacCallum, Toronto, 1944
Photo: NGC
Boreal Dreams
Jakob Kudsk Steensen, Boreal Dreams, 2024/25
Live-Simulation, Courtesy Jakob Kudsk Steensen, commissioned by the Fondation Beyeler, Riehen/Basel
42,6 MB
Jakob Kudsk Steensen, Boreal Dreams, 2024/25
Live-Simulation, Courtesy Jakob Kudsk Steensen, commissioned by the Fondation Beyeler, Riehen/Basel
2,8 MB
Jakob Kudsk Steensen, Boreal Dreams, 2024/25
Live-Simulation, Courtesy Jakob Kudsk Steensen, commissioned by the Fondation Beyeler, Riehen/Basel
3,9 MB
Jakob Kudsk Steensen, Boreal Dreams, 2024/25
Live-Simulation, Courtesy Jakob Kudsk Steensen, commissioned by the Fondation Beyeler, Riehen/Basel
4,1 MB
Installation view Boreal Dreams, Fondation Beyeler, Riehen/Basel, 2024/25
Photo: Mathias Mangold
41,6 MB
Installationsansicht Boreal Dreams, Fondation Beyeler, Riehen/Basel, 2024/25
Foto: Mathias Mangold
19,5 MBJordan Wolfson: Little Room
Jordan Wolfson (*1980), Little Room, 2025
3D scanning booth, VR headset, high-definition video
Dimensions variable
© Jordan Wolfson. Courtesy Gagosian, Sadie Coles HQ, and David Zwirner.
Globus Public Art Project
Urs Fischer, Eternity, 2023
Aluminum panel, aluminum honeycomb, polyurethane adhesive, epoxy primer, gesso, solvent-based screen printing paint, water-based screen printing paint
72 x 96 x 7/8 in. / 182.9 x 243.8 x 2.2 cm
Frame: 77 3/4 x 101 3/4 x 2 in. / 197.5 x 258.4 x 5.1 cm
Private Collection
© Urs Fischer. Courtesy of the artist
Photo: Stefan Altenburger
Vija Celmins
Vija Celmins, Lamp #1, 1964
Oil on canvas, 62.2 x 88.9 cm, Vija Celmins, Courtesy Matthew Marks Gallery, © Vija Celmins, Courtesy Matthew Marks Gallery
Photo: Aaron Wax
Vija Celmins, Untitled (Big Sea #2), 1969
Graphite on acrylic ground on paper, 86,4 x 114,3 cm, Private Collection, © Vija Celmins, Courtesy Matthew Marks Gallery
8,6 MBYayoi Kusama
KUSAMA with YELLOW TREE / Living Room at the Aichi Triennale, 2010
Courtesy of Ota Fine Arts, Victoria Miro, David Zwirner
© YAYOI KUSAMA
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
Installation views
View of the permanent collection of the Fondation Beyeler
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBNew Museum Building
New Museum Building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building (left) and pavillion (right), view from Berower Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB