WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum. For further information, please do not hesitate to contact us personally.
Copyright
The use of image material may incur copyright fees. According to Swiss Law image material may also be used free of charge for press purposes in the context of current reporting. However, this use is only permitted in connection with the current exhibition and within the course of its duration.
Any further or cross-border use requires the permission of the copyright holder. Please note that Fondation Beyeler is not the owner of these copyrights and expressly declines responsibility for copyright fees arising from the use of image and film material (e.g. from ProLitteris, VG Bild-Kunst, DACS, ARS, ADAGP or similar institutions).
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Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Natureculture
Harold Ancart, Untitled, 2017
Oil and pencil on canvas, wooden frame, 244 × 203 cm
Fondation Beyeler, Riehen/Basel © 2021, ProLitteris, Zurich Photo: Mark Niedermann
Louise Bourgeois, SPIDER IV, 1996
Steel, wall piece, 198 × 175 × 53.3 cm
Private Collection, New York © The Easton Foundation / 2021, ProLitteris, Zurich
Photo: Mark Niedermann
Peter Doig, Pelican (Stag), 2004
Oil on canvas, 275.6 × 200 cm
Private Collection, Courtesy Michael Werner Gallery, New York and London © Peter Doig. All Rights Reserved / 2021, ProLitteris, Zurich
Sigmar Polke, Reiherbild II, 1968
Dispersion paint on patterned flannel, 190 × 150 cm
Daros Collection, Switzerland © The Estate of Sigmar Polke, Cologne / 2021, ProLitteris, Zurich
Claude Monet, Nymphéas, 1916 – 1919
Oil on canvas, 200 × 180 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer
Paul Cézanne, Sept baigneurs, ca. 1900
Oil on canvas, 38 × 46 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer
Max Ernst, Swampangel, 1940
Oil on canvas, 65.2 × 81 cm
Fondation Beyeler, Riehen/Basel, Gif of Ulla and Richard Dreyfus-Best © 2021, ProLitteris, Zurich Photo: Robert Bayer
Ferdinand Hodler, Le Mont-Blanc aux nuages roses, 1918
Oil on canvas, 60 × 85 cm
Rudolf Staechelin Collection Photo: Robert Bayer
Tacita Dean, Cúmulo, 2016
Chalk on blackboard, 244 × 732 cm, 6 pieces, total dimensions
Fondation Beyeler, Riehen/Basel © Tacita Dean Photo: Mark Niedermann
Wilhelm Sasnal, Sutro Tower, 2013
Oil on canvas, 46 × 55.8 cm
Fondation Beyeler, Riehen/Basel © Wilhelm Sasnal
Photo: Robert Bayer
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
Piet Mondrian Conservation Project
The conservation team at work
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938, Tableau No. I, 1921–1925, Composition with Double Line and Blue, 1935
Riehen / Basel, Beyeler Collection, © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA, Photo: Mark Niedermann
Piet Mondrian, Eukalyptus, 1912
Oil on canvas, 60,0 x 51,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. XVI (Compositie I, Arbres), 1912–1913
Oil on canvas, 85,5 x 75,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. VI (Composition 9, Blue Façade), 1914
Oil on canvas, 95,5 x 68,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Tableau No. I, 1921–1925
Oil on canvas, 75,5 x 65,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Yellow and Blue, 1932
Oil on canvas, 55,5 x 55,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection; acquired with a contribution by
Hartmann P. und Cécile Koechlin-Tanner, Riehen © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Double Line and Blue, 1935
Oil on canvas, 72,5 x 70,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938
Oil on canvas, 100,5 x 100,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
CLOSE-UP
Berthe Morisot, Girl on a Divan, (Jeune Femme au Divan), 1885
Oil on canvas
61 x 50.2 cm
Tate, London; Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie
through the Friends of the Tate Gallery 1968, Photo ©Tate
Lotte Laserstein, Selbstporträt mit weissem Kragen, ca. 1923
Oil on cardboard
32 x 24 cm
Private Collection Germany; © 2021, ProLitteris, Zurich; Photo: © Lotte-Laserstein-Archiv Krausse, Berlin/Dietmar Katz, Berlin
Frida Kahlo, Autorretrato con traje de terciopelo / Self-Portrait in a Velvet Dress, 1926
Oil on canvas
79.7 x 60 cm
Private Collection; © Banco de México Diego Rivera & Frida Kahlo Museums Trust, México D.F. / 2021, ProLitteris, Zurich
Marlene Dumas, Teeth, 2018
Oil on canvas
40 x 30 cm
Private Collection, Madrid
© Marlene Dumas. Courtesy the Artist and David Zwirner Photo: Kerry McFate
Goya
Francisco de Goya, La maja vestida, 1800-1807
Oil on canvas
95 x 190 cm
Museo Nacional del Prado, Madrid
© Photographic Archive. Museo Nacional del Prado. Madrid
Francisco de Goya, Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo, XIII duquesa de Alba, 1795
Oil on canvas
192 x 128 cm
Fundación Casa de Alba, Palacio de Liria, Madrid.
Francisco de Goya, Witches’ Sabbath (El Aquelarre), 1797-98
Oil on canvas
43 × 30 cm
Museo Lázaro Galdiano, Madrid
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Henri Matisse, Nu bleu, la grenouille, 1952
Blue Female Nude, the Frog
Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird
Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer
Photo: Caroline Minjolle
29,7 MB
Installation views
View of the permanent collection of the Fondation Beyeler, Monet room, 2013
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler, 2014
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2015
Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2014
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBExtension Project
Extension Project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art (left) and Pavillon (right), View from the Berower Park
Courtesy Atelier Peter Zumthor
Extension Project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB
