WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum.
Copyright
According to Swiss legislation, visuals may be used free of charge for press purposes in the context of current reporting. By downloading and using the press images made available, you agree to our terms of use (see below) and to complying with copyright law as applicable to your national territory. The Fondation Beyeler is not the owner of these copyrights and declines all responsibility for copyright fees arising from the use of image and film material.
TERMS OF USE
Press images made available may be used exclusively by media outlets (print, online, TV, radio) in the context of their coverage of the respective exhibition, stating all copyright and legal notices provided. The images may be published only unaltered, without cropping or overprint. They may be published online only in low resolution (max. 72 dpi) and small size (max. 1600 pixel).
To download images, log in and use the image captions and associated copyrights ©. We look forward to receiving a sample copy. For further information, please do not hesitate to contact us personally.
Contact
Dorothee Dines
PR & Media Relations
Tel. +41 (0)61 645 97 21
presse@fondationbeyeler.ch
Cezanne
Paul Cezanne, La Montagne Sainte-Victoire vue des Lauves (Montagne Sainte-Victoire Seen from Les Lauves), 1904/05
Oil on canvas, 63.8 x 81.6 cm, The Nelson-Atkins Museum of Art, Kansas City, Missouri, purchase William Rockhill Nelson Trust
Image courtesy of Nelson-Atkins Digital Production & Preservation
Paul Cezanne, Pommes et oranges (Apples and Oranges), ca. 1899
Oil on canvas, 74 × 93 cm
© GrandPalaisRMN (musée d'Orsay) / Hervé Lewandowski
Paul Cezanne, Les joueurs de cartes (The Card Players), 1893–1896
Oil on canvas, 47 x 56.5 cm, Musée d'Orsay, Paris
© Musée d'Orsay, Dist. GrandPalaisRmn / Patrice Schmidt
Paul Cezanne, Groupe de baigneuses, (Group of Bathers), um 1895
Oil on canvas, 47 x 77 cm, Ordrupgaard, Copenhagen
Photo: Anders Sune Berg
Paul Cezanne, Le garçon au gilet rouge (Boy in a Red Vest), 1888–1890
Oil on canvas, 79.5 x 64 cm, Emil Bührle Collection, on long-term loan at the Kunsthaus Zürich
5,9 MB
Paul Cezanne, Portrait de l'artiste à la palette (Self-Portrait with Palette), um 1890
Oil on canvas, 92 x 73 cm, Emil Bührle Collection, on long-term loan at the Kunsthaus Zürich
4,2 MB
Paul Cezanne, Nature morte avec crâne et chandelier, (Still Life with Skull and Candlestick), um 1900
Oil on canvas, 61 x 50 cm, Staatsgalerie Stuttgart, acquired 1955
Photo: bpk / Staatsgalerie Stuttgart
Paul Cezanne, La route tournante (Matinée de printemps à Saint-Antonin), (Bend in the Road (Spring Morning in Saint-Antonin)), 1900–1906
Oil on canvas, 82.1 x 66 cm, National Gallery of Art, Washington, DC, collection of Mr. and Mrs. Paul Mellon, 1985
6,8 MB
Paul Cezanne, La Montagne Sainte-Victoire vue des Lauves (Montagne Sainte-Victoire Seen from Les Lauves), um 1904
Oil on canvas, 54 x 65 cm, Private collection, Derbyshire
Photo: Christie’s Images / Bridgeman Images
Paul Cezanne in his studio in Les Lauves
Photo : Bernard Emile (1868–1941)
Paris, musée d’Orsay
© GrandPalaisRmn (musée d’Orsay) / René-Gabriel Ojeda
Pierre Huyghe
Pierre Huyghe, Liminal, 2024-on-going
Courtesy the artist and Galerie Chantal Crousel, Marian Goodman Gallery, Hauser & Wirth, Esther Schipper, TARO NASU and Anna Lena Films
Ruth Asawa
Portrait of Japanese American artist Ruth Asawa as she kneels on the floor amid several of her looped-wire sculptures, November 1954.
Photo: Nat Farbman/The LIFE Picture Collection/Shutterstock
Artwork © 2025 Ruth Asawa Lanier, Inc., Courtesy David Zwirner
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
Beyeler Restaurant im Park
Installation views
Collection Fondation Beyeler, Riehen/Basel
Installation view
Olafur Eliasson, Polar fall fade (light green, yellow, pink), 2013; Polar fall fade (light green, light blue, light red), 2013; Polar fall fade (orange, turquoise, grey), 2013
© 2013 Olafur Eliasson
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Roni Horn, Opposites of White, 2006-2007
© Roni Horn
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Otobong Nkanga, Unearthed – Abyss, 2021
© Otobong Nkanga
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Claude Monet, Le bassin aux nymphéas, ca. 1917-1920
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Claude Monet, Le bassin aux nymphéas, ca. 1917-1920
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Claude Monet, La cathédrale de Rouen : Le portail (effet du matin), 1894
Ferdinand Hodler, Der Brienzersee von Breitlauenen aus, 1906, private collection
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Wassily Kandinsky, Fuga, 1914
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Wolfgang Tillmans, Anders (Brighton Arcimboldo), 2005, Silver 146, 2013, Greifbar 23, 2015, Silver 137, 2013, chaos cup, 1997, Transit of Venus, 2012, Buenos Aires, 2010
© Wolfgang Tillmans
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Pierre Huyghe, Mind’s Eye (FL), 2021
© Pierre Huyghe
Max Ernst, Fleurs de neige, 1929
© 2025, ProLitteris, Zurich
photo: Mark Niedermann
Collection Fondation Beyeler, Riehen/Basel
Installation view
Claude Monet, La cathédrale de Rouen : Le portail (effet du matin), 1894
photo: Mark Niedermann
Park
The park of the Fondation Beyeler
Jenny Holzer, Living Series: You should limit the number of times..., 1989
Fondation Beyeler, Riehen/Basel
photo: Mark Niedermann
The Park of the Fondation Beyeler
Thomas Schütte, Hase, 2013; Fujiko Nakaya, Untitled, 2024
Fondation Beyeler, Riehen/Basel
photo: Mark Niedermann
The Park of the Fondation Beyeler
Fischli/Weiss, Snowman, 2016
Fondation Beyeler, Riehen/Basel
photo: Mark Niedermann
New Museum Building
New Museum Building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building (left) and pavillion (right), view from Berower Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, view from Iselin-Weber Park
Courtesy Atelier Peter Zumthor
New museum building
The extension project of the Fondation Beyeler with Atelier Peter Zumthor
New museum building, exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zurich
Ernst and Hildy Beyeler
Ernst Beyeler and Renzo Piano at the opening of the Fondation Beyeler, 1997
Unkown Photographer
1,5 MB