Marking the 150th anniversary of the artist’s birth, the Fondation Beyeler will devote an exhibition to the Dutch painter Piet Mondrian. As one of the most important artists of the avant-garde movement, Mondrian shaped the evolution of painting from figuration to abstraction. His early work was influenced not only by late 19th century Dutch landscape painting but also by Symbolism and Cubism. It was only in the early 1920s that he began concentrating on a wholly non-representational pictorial vocabulary consisting solely of rectilinear arrangements of black lines on a white background and the three primary colours blue, red and yellow.
While the collection of the Fondation Beyeler focuses primarily on works from the later phases of Mondrian’s career, the exhibition will look at his development as an artist up to the 1920s and the stylistic genesis of his later work. Separate sections will deal with motifs such as windmills, dunes and seascapes, the farmstead reflected in water and plants in various states of abstraction. “Mondrian” is organised jointly by the Fondation Beyeler and K20, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
The Fondation Beyeler's main goal is to bring art and viewer together. In our guided tours and workshops, we do not only share knowledge about artists, works, and epochs. We create above all a space in which to deepen observations and exchange different views, perceptions, thoughts, and feelings.
Wednesday, June 8, 6.30–7.30 P.M. | “Mondrian’s Magic: The Architecture of Nature, Jazz, and Neoplastic Space” – Piet Mondrian is widely regarded as one of the leading modernists who played a crucial part in painting’s development from figuration to abstraction. The talk by Marek Wieczorek, Associate Professor of Modern and Contemporary Art History at the University of Washington in Seattle will shed light on the artist’s entire oeuvre, from the primary colors of the early work Mill in Sunlight of 1908 to his last masterpiece, Victory Boogie Woogie of 1942–44.