WELCOME
Welcome to the download area for media representatives. Here you will find image material on our exhibitions, projects, events, the collection and the museum. For further information, please do not hesitate to contact us personally.
Copyright
The use of image material may incur copyright fees. According to Swiss Law image material may also be used free of charge for press purposes in the context of current reporting. However, this use is only permitted in connection with the current exhibition and within the course of its duration.
Any further or cross-border use requires the permission of the copyright holder. Please note that Fondation Beyeler is not the owner of these copyrights and expressly declines responsibility for copyright fees arising from the use of image and film material (e.g. from ProLitteris, VG Bild-Kunst, DACS, ARS, ADAGP or similar institutions).
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Contact
Jan Sollberger
PR & Media Relations
Tel. +41 (0)61 645 97 29
presse@fondationbeyeler.ch
Rodin/Arp
Auguste Rodin, The Thinker, original size, 1880/1882
Bronze (Auguste Griffoul, 1896), 72 x 34 x 53 cm
MAH Musée d'art et d'histoire, Geneva
Photo: © MAH, Genève, Photo Flora Bevilacqua
Hans Arp, Ptolemy III, 1961
Bronze (1/3, Susse, 1963), 201 x 113 x 76.5 cm
Kunstmuseum Basel, Purchase 1963
© 2020, ProLitteris, Zurich
Photo: Kunstmuseum Basel, Martin P. Bühler
Auguste Rodin, Torso of Adèle, 1882
Plaster, trial cast, 13.3 x 44.6 x 18.9 cm
Musée Rodin, Paris, inv. S.01223
Photo: © musée Rodin (photo Christian Baraja)
Hans Arp, Torso-Sheaf, 1958
Marble (Santelli/Malakoff, 1959), 79.5 x 37 x 28.5 cm
Private collection
© 2020, ProLitteris, Zurich
Photo: © Manolo Mylonas
Auguste Rodin, Crouching Woman, large version, 1906–08
Bronze (Alexis Rudier, 1959), 96 x 73 x 60 cm
Kunsthaus Zurich, Collection Werner and Nelly Bär, 1968
Photo: Kunsthaus Zurich, Franca Candrian
Hans Arp, Automatic Sculpture (Homage to Rodin), 1938
Granite, 26 x 22 x 11,5 cm
Private collection, London
© 2020, ProLitteris, Zurich
Photo: Heini Schneebeli
Auguste Rodin, Psyche with a lamp, 1899
Plaster, cast after the marble, 70 x 68 x 39 cm
Musée Rodin, Paris, Inv. S.02850
Photo: © agence photographique du musée Rodin – Jerome Manoukian
Hans Arp, Human Lunar Spectral, 1950
Plaster, 83 x 65 x 50 cm
Musée national d’art moderne, Centre Georges Pompidou, Paris, Saisie de l’Administration des Douanes en 1996, on permanent loan to the Fondation Arp, France
© 2020, ProLitteris, Zurich
Photo: © Centre Pompidou, MNAM-CCI/Adam Rzepka/Dist. RMN-GP
Auguste Rodin, Meditation without Arms or The Inner Voice, small version, ca. 1894
Plaster, 54 x 26,7 x 20 cm
Musée Rodin, Paris, Inv. S.00680
Photo: © musée Rodin (photo Christian Baraja)
Hans Arp, Flower Nude, 1957
Marble (Santelli /Malakoff, mit Tarabella [?],1957/58), 94 x 22 x 23 cm
Centre national des arts plastiques, France
On permanent loan to the Musée d'Art moderne et contemporain de Strasbourg, Inv. FNAC 9740
© 2020, ProLitteris, Zurich,
Photo: Photo Musées de Strasbourg, M. Bertola
Auguste Rodin, Dancer (Nijinski?), 1912 (?)
Plaster, coated with release agent (1953), 20 x 10 x 6 cm
Musée Rodin, Paris, Inv. S.00890
Photo: © musée Rodin (photo Christian Baraja)
Hans Arp, Star, 1939
Plaster, 32 x 17.5 x 9 cm
Kröller-Müller Museum, Otterlo
© 2020, ProLitteris, Zurich
Photo: Marjon Gemmeke
Auguste Rodin, The Kiss, large version, 1889–1898
Cast after the marble (Coubertin, 2008), 181.5 x 112.3 x 117 cm
Collection of the Fondation Pierre Gianadda, Martigny
Photo: Michel Darbellay – Fondation Pierre Gianadda
Auguste Rodin, Iris, Messenger of the Gods, 1894/95
Bronze (Alexis Rudier, before1908 [?]), 83.3 x 87 x 36 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer, Basel
Hans Arp, Vase, Pregnant Amphora, 1953
Painted wood, 120 x 95 cm
Private collection c/o Di Donna Galleries, New York
© 2020, ProLitteris, Zurich
Hans Arp, Tree of Bowls, 1960
Bronze, (0/3, Rudier, 1982), 196 x 99 x 105.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© 2020, ProLitteris, Zurich
Photo: Robert Bayer, Basel
Auguste Rodin among his sculptures at the Pavillon de l’Alma, Meudon, ca. 1902
Photo: Eugène Druet
© Musée Rodin
Hans Arp in his studio surrounded by his sculptures, Clamart, 1954
Photo: Denise Colomb
© Ministère de la Culture – Médiathèque de l’architecture et du patrimoine, Dist. RMN-Grand Palais / Denise Colomb
© RMN-Grand Palais
Fischli/Weiss "Snowman"
Fischli/Weiss, Snowman, 2016
Copper, aluminium, glass, water, cooling system, 218 x 128 x 165 cm
Fondation Beyeler, Riehen/Basel
Photo: Pati Grabowicz
The lion is hungry
Henri Rousseau, The Hungry Lion Attacking an Antelope, 1898/1905
Oil on canvas, 200.0 x 301.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Robert Bayer
Louise Bourgeois, SPIDER IV, 1996
Steel, 198.0 x 175.0 x 53.3 cm
Private Collection, New York
© The Easton Foundation / 2020, ProLitteris, Zurich Photo: Mark Niedermann
Joan Mitchell, Untitled, 1957
Oil on canvas, 226.1 x 288.3 cm
Private Collection
© The Joan Mitchell Foundation Inc., New York Photo: Robert Bayer, Basel
Wassily Kandinsky, Fuga, 1914
Oil on canvas, 129.5 x 129.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection Photo: Robert Bayer, Basel
Susan Philipsz, Seven Tears, 2016
Fondation Beyeler, Riehen / Basel
Photo: Kunstverein Hannover, Hannover, 2016, Támas Kende
Vincent van Gogh, Field with Stacks of Grain, 1890
Oil on canvas, 50.0 x 100.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection Photo: Robert Bayer, Basel
View of the permanent collection of the Fondation Beyeler
Henri Rousseau, The Hungry Lion Attacking an Antelope, 1898/1905, Alexander Calder , Otto's Mobile, 1952
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler
Clyfford Still, PH - 131, 1951, Private Collection
Willem De Kooning, Untitled V, 1983, Untitled XXI, 1976, Ananda Foundation NV
Photo: Mark Niedermann
Piet Mondrian Conservation Project
The conservation team at work
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938, Tableau No. I, 1921–1925, Composition with Double Line and Blue, 1935
Riehen / Basel, Beyeler Collection, © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA, Photo: Mark Niedermann
Piet Mondrian, Eukalyptus, 1912
Oil on canvas, 60,0 x 51,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. XVI (Compositie I, Arbres), 1912–1913
Oil on canvas, 85,5 x 75,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition No. VI (Composition 9, Blue Façade), 1914
Oil on canvas, 95,5 x 68,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection
© Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Tableau No. I, 1921–1925
Oil on canvas, 75,5 x 65,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Yellow and Blue, 1932
Oil on canvas, 55,5 x 55,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection; acquired with a contribution by
Hartmann P. und Cécile Koechlin-Tanner, Riehen © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Composition with Double Line and Blue, 1935
Oil on canvas, 72,5 x 70,0 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture No. III), 1938
Oil on canvas, 100,5 x 100,5 cm
Fondation Beyeler, Riehen / Basel, Beyeler Collection © Mondrian / Holtzman Trust
c/o HCR International Warrenton, VA USA
Photo: Robert Bayer, Basel
Close-Up
Berthe Morisot, Girl on a Divan, (Jeune Femme au Divan), 1885
Oil on canvas
61 x 50.2 cm
Tate, London; Bequeathed by the Hon. Mrs A.E. Pleydell-Bouverie
through the Friends of the Tate Gallery 1968, Photo ©Tate
Goya
Francisco de Goya, La maja vestida, 1800-1807
Oil on canvas
95 x 190 cm
Museo Nacional del Prado, Madrid
© Photographic Archive. Museo Nacional del Prado. Madrid
Francisco de Goya, Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo, XIII duquesa de Alba, 1795
Oil on canvas
192 x 128 cm
Fundación Casa de Alba, Palacio de Liria, Madrid.
Francisco de Goya, Witches’ Sabbath (El Aquelarre), 1797-98
Oil on canvas
43 × 30 cm
Museo Lázaro Galdiano, Madrid
Beyeler Collection
Claude Monet, Nymphéas, 1916 – 1919
Water Lillies
Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel
Henri Matisse, Nu bleu, la grenouille, 1952
Blue Female Nude, the Frog
Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Paul Klee, Wald-Hexen, 1938, 145 (K5)
Forest witches
Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird
Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel
Alberto Giacometti, L’homme qui marche II, 1960
Walking Man II
Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel
Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966
Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel
Marlene Dumas, Broken White, 2006
Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox
Museum
The park of the Fondation Beyeler in springtime
Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann
An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer
Photo: Caroline Minjolle
29,7 MB
Installation views
View of the permanent collection of the Fondation Beyeler, Monet room, 2013
Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler
View of the permanent collection of the Fondation Beyeler, 2014
Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2015
Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2016
Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann
View of the permanent collection of the Fondation Beyeler, 2014
Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann
Installation view exhibition “Wolfgang Tillmans”,
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
4,9 MB
Installation view exhibition “Wolfgang Tillmans”
Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann
8,3 MBExtension Project
extension project
The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
extension project
The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
extension project
The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich
extension project
The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
Extension project
Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo
