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The use of image material may incur copyright fees. This does not apply to purely private use. In Switzerland, image material may also be used free of charge for press purposes in the context of current reporting. However, this use is only permitted in connection with the current exhibition and within the course of its duration.

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Silke Kellner-Mergenthaler
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Rudolf Stingel

Rudolf Stingel, Untitled, 2014

Electroformed copper, plated nickel, stainless steel
240 x 1200 x 4 cm
© Rudolf Stingel
Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2019

Oil on canvas
335.3 x 457.2 cm
© Rudolf Stingel
Foto: John Lehr

Rudolf Stingel, Untitled, 2013

Oil on canvas
127 x 127 cm
© Rudolf Stingel
Photo: Christopher Burke Studio

Rudolf Stingel, Untitled, 2015

Oil on canvas
241.3 x 165.7 cm
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2019

Oil and enamel on canvas
241.3 x 193 cm
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2019

Oil and enamel on canvas
241.3 x 193 cm
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2012

Oil and enamel on canvas
300 x 242 cm
© Rudolf Stingel
Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2018

Oil on canvas
241.3 x 589.3 cm; 241.3 x 589.3 cm ; in 3 parts, each: 241.3 x 193 cm
© Rudolf Stingel
Photo: John Lehr

8 Rudolf Stingel, Untitled, 2018

Oil and enamel on canvas
241.3 x 589.3 cm
3 parts, each: 241.3 x 193 cm
Collection of He Juxing
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2010

Oil on canvas
335.3 x 459 cm
The Broad Art Foundation
© Rudolf Stingel
Photo: Christopher Burke Studio,
Courtesy Gagosian

0 Rudolf Stingel, Untitled, 201

Rudolf Stingel
Untitled, 2010
Oil and enamel on canvas
330.2 x 470 cm
Pinault Collection
© Rudolf Stingel
Photo: Robert McKeever
Courtesy Gagosian Gallery

Rudolf Stingel, Untitled, 2009

Cast bronze and plated nickel
304.8 x 243.8 cm
© Rudolf Stingel
Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled (After Sam), 2006

Oil on canvas
335.3 x 457.2 cm
© Rudolf Stingel
Photo: Ellen Page Wilson


Louise Bourgeois: Insomnia Drawings

Louise Bourgeois, Insomnia Drawing No. 174

March 13, 1995, Charcoal, pencil, red felt-tip pen, red ballpoint pen on drawing paper
29.6 x 22.8 cm, Daros Collection, Switzerland
© The Easton Foundation / 2019, ProLitteris, Zurich


Resonating Spaces

Leonor Antunes, so then we raised the terrain so that I could see out, 2017 (Detail)

Mixed media

Exhibition view
57th Venice Biennale, Arsenale, 2017

Courtesy Leonor Antunes
Air de Paris, Paris; kurimanzutto, Mexico City, New York and Luisa Strina Gallery, Sāo Paulo

Photo: Nick Ash, 2017

Leonor Antunes, the pliable plane, 2015 (Detail)

Mixed media
Exhibition view
CAPC musée d'art contemporain de Bordeaux, 2015
Courtesy Leonor Antunes
Air de Paris, Paris; kurimanzutto, Mexico City, New York and Luisa Strina Gallery, Sāo Paulo

Photo: Arthur Pequin and F. Deval, 2015

Rachel Whiteread, Vitrine Objects

Mixed media

Private Collection
Courtesy Rachel Whiteread and Mike Bruce Photography, London

Rachel Whiteread, Vitrine Objects

Mixed Media
Private Collection
Courtesy Rachel Whiteread and Mike Bruce Photography, London

Silvia Bächli, Untitled, 2019

Gouache on paper
62 x 44 cm
© Silvia Bächli

Susan Philipsz Seven Tears, 2016

7-Chanel Sound installation Exhibition view Kunstverein Hannover, 2016 Photo: Tamas Kende

[Translate to Englisch:] 7-Kanal Soundinstallation
Ausstellungsansicht
Kunstverein Hannover, 2016

Foto: Tamas Kende

Toba Khedoori Ohne Titel, 2017 (Detail)

Oil on canvas
146.7 x 220.3 cm
Private collection, Boston
© Toba Khedoori
Courtesy Regen Projects, Los Angeles and David Zwirner


Hopper

Edward Hopper, Gas, 1940

Oil on canvas
66,7 x 102,2 cm
The Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund
© Heirs of Josephine Hopper / 2019, ProLitteris, Zurich
© 2019 Digital image, The Museum of Modern Art,
New York / Scala, Florence


Goya

Francisco de Goya, La maja vestida, 1800-1807

Oil on canvas
95 x 190 cm
Museo Nacional del Prado, Madrid

© Photographic Archive. Museo Nacional del Prado. Madrid

Francisco de Goya, Doña María del Pilar Teresa Cayetana de Silva Álvarez de Toledo, XIII duquesa de Alba, 1795

Oil on canvas
95 × 190 cm
Museo Nacional del Prado. Madrid

Francisco de Goya, Witches’ Sabbath (El Aquelarre), 1797-98

Oil on canvas
Museo Lázaro Galdiano, Madrid


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Water Lillies

Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blue Female Nude, the Frog

Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Forest witches

Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird

Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Walking Man II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Concert at the annual Summer Party

Photo: Mathias Mangold

The annual Summer Party

Photo: Mathias Mangold

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
Pavilion and House for Art (left-hand side), view from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space

Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning