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Picasso

Pablo Picasso, Acrobate et jeune arlequin, 1905

Gouache on cardboard, 105 x 76 cm
Private collection
© Succession Picasso / 2018, ProLitteris, Zurich

Pablo Picasso, Femme en chemise (Madeleine), 1904–1905

Oil on canvas, 72.7 x 60 cm
London, Tate, Bequeathed by C. Frank Stoop 1933
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Tate, London 2018

Pablo Picasso, La Vie, 1903

Oil on canvas, 197 x 127.3 cm
The Cleveland Museum of Art, Donation Hanna Fund
© Succession Picasso / ProLitteris, Zurich 2018
Photo: © The Cleveland Museum of Art

Pablo Picasso, Autoportrait, 1901

Oil on canvas, 81 x 60 cm
Musée national Picasso-Paris
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Pablo Picasso, Arlequin assis, 1901

Oil on canvas, 83.2 x 61.3 cm
New York, Metropolitan Museum of Art, Purchase Mr. and Mrs. John L. Loeb, Gift 1960
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: ©The Metropolitan Museum of Art / Art Resource / Scala, Florence

Pablo Picasso, Famille de saltimbanques avec un singe, 1905

Gouache, watercolour and ink on cardboard, 104 x 75 cm
Göteborg Konstmuseum, Purchase 1922
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Göteborg Konstmuseum

Pablo Picasso, Femme en bleu, 1901

Oil on canvas, 133 x 100 cm
Madrid, Museo Nacional Centro de Arte Reine Sofía
© Succession Picasso / 2018, ProLitteris, Zurich

Pablo Picasso, La Mort de Casagemas, 1901

Oil on wood, 27 x 35 cm
Musée national Picasso-Paris
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Pablo Picasso, Arlequin et sa compagne, 1901

Oil on canvas, 73 x 60 cm
Moscow, Pushkin State Museum of Fine Arts A. S. Puschkin
© Succession Picasso / 2018, ProLitteris, Zürich

Pablo Picasso, Yo Picasso, 1901

Oil on canvas, 73,5 x 60 cm
Private collection
© Succession Picasso / 2018, ProLitteris, Zurich

Pablo Picasso, Femme assise au fichu, 1901

Oil on canvas, 100 x 69.2 cm
The Detroit Institute of Arts, Bequest of Robert H. Tannahill
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Bridgeman Images

Pablo Picasso, Le Repas de l’aveugle, 1903

Oil on canvas, 95.3 x 94.6 cm
New York, The Metropolitan Museum of Art, Purchase Mr. and Mrs. Ira Haupt, Gift 1950
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © 2017, The Metropolitan Museum of Art / Art Resource / Scala, Florence

Pablo Picasso, Tête d’un arlequin, 1905

Oil on canvas, 40.7 x 31.8 cm
The Detroit Institute of Arts,
Bequest of Robert H. Tannahill
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Bridgeman Images

Pablo Picasso, Femme de l’Île de Majorque, 1905

Gouache and watercolour on cardboard, 67 x 51 cm
Moscow, Pushkin State Museum of Fine Arts
© Succession Picasso / 2018, ProLitteris, Zurich

Pablo Picasso, Femme à l’éventail, 1905

Oil on canvas, 100.3 x 81 cm
Washington, National Gallery of Art, Gift of the W. Averell Harriman Foundation in memory of Marie N. Hariman
© Succession Picasso / 2018, ProLitteris, Zurich

Pablo Picasso, Arlequin assis sur fond rouge, 1905

Watercolour and ink on cardboard, 57.5 x 41.2 cm
Staatliche Museen zu Berlin, Nationalgalerie, Museum Berggruen
© Succession Picasso / 2018 ProLitteris, Zurich 2018
Photo: bpk / Nationalgalerie, SMB, Museum Berggruen / Jens Ziehe

Pablo Picasso, Autoportrait, 1906

Oil on canvas, 65 x 54 cm
Musée national Picasso-Paris
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Pablo Picasso, Nu sur fond rouge (Jeune femme nue à la chevelure), 1906

Oil on canvas, 81 x 54 cm
Paris, Musée de l’Orangerie, Collection Jean Walter and Paul Guillaume
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © RMN-Grand Palais (Musée de l’Orangerie) / Hervé Lewandowski

Pablo Picasso, Femme (Epoque des «Demoiselles d’Avignon»), 1907

Oil on canvas, 119 x 93.5 cm
Fondation Beyeler, Riehen / Basel
© Succession Picasso / 2018 ProLitteris, Zurich
Photo: Robert Bayer, Basel

Pablo Picasso, Anonymous

Pablo Picasso on Place Ravignan, Montmartre, Paris, 1904
Silver gelatin print on paper, 12 x 8.9 cm
Musée national Picasso-Paris

Pablo Picasso, Buste de femme au chapeau (Dora), 1939

Oil on canvas, 55.0 x 46.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Succession Picasso / 2019, ProLitteris, Zürich
Photo: Peter Schibli


Rudolf Stingel

Rudolf Stingel, Untitled (After Sam), 2006

Oil on canvas
335.3 x 457.2 cm
© Rudolf Stingel
Photo: Ellen Page Wilson

Rudolf Stingel, Untitled, 2013

Oil and enamel on canvas
300 x 242 cm
© Rudolf Stingel
Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2013

Oil on canvas
127 x 127 cm
© Rudolf Stingel
Photo: Christopher Burke Studio

Rudolf Stingel, Untitled, 2014

Electroformed copper, plated nickel, stainless steel
240 x 1200 x 4 cm
© Rudolf Stingel
Photo: Alessandro Zambianchi

Rudolf Stingel, Untitled, 2018

Oil on canvas
241.3 x 589.3 cm; 241.3 x 589.3 cm ; in 3 parts, each: 241.3 x 193 cm
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2015

Oil on canvas
241.3 x 165.7 cm
© Rudolf Stingel
Photo: John Lehr

Rudolf Stingel, Untitled, 2010

Oil on canvas
335.3 x 459 cm
The Broad Art Foundation
Courtesy Gagosian
Photo: Christopher Burke Studio


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Water Lillies

Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blue Female Nude, the Frog

Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Forest witches

Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird

Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Walking Man II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Concert at the annual Summer Party

Photo: Mathias Mangold

The annual Summer Party

Photo: Mathias Mangold

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension Project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
Pavilion and House for Art (left-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning