Pressebilder

Copyright

The visual material may be used solely for press purposes in connection with reporting on the exhibition. Reproduction is permitted only in connection with the current exhibition and for the period of its duration. Any other kind of use – in analogue or digital form – must be authorised by the copyright holder(s). Purely private use is excluded from that provision. Please use the captions given and the associated copyrights. We kindly request you to send us a complimentary copy.

FONDATION BEYELER
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Wolfgang Tillmans

Wolfgang Tillmans, Blautopf, Baum, 2001

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Leaf for Architects, 2013

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Anders (Brighton Arcimboldo), 2005

Fondation Beyeler, Riehen/Basel; © Wolfgang Tillmans

Wolfgang Tillmans, Fire Island, 2015

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Nite Queen, 2013

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Paper drop (reversed) II, 2011

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Faltenwurf, shiny, 2001

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Winter Grime, 2014

Courtesy Galerie, Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Gedser, 2014

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Silver 124, 2013

Fondation Beyeler, Riehen/Basel

Wolfgang Tillmans, Night Jam, 2013

Courtesy Galerie Buchholz, Berlin/Cologne, Maureen Paley, London, David Zwirner, New York

Wolfgang Tillmans, Ostgut Freischwimmer, left, 2004

Fondation Beyeler, Riehen/Basel


Monet

Claude Monet, Matinée sur la Seine, 1897

Claude Monet, Matinée sur la Seine, 1897

Morning on the Seine

Oil on canvas, 89,9 x 92,7 cm The Art Institute of Chicago, Mr. and Mrs. Martin A. Ryerson Collection, 1933 Photo: © The Art Institute of Chicago / Art Resource, NY / Scala, Florence

Claude Monet, Charing Cross Bridge, brouillard sur la Tamise, 1903

Claude Monet, Charing Cross Bridge, brouillard sur la Tamise, 1903

Charing Cross Bridge: Fog on the Thames

Oil on canvas, 73,7 x 92,4 cm Harvard Art Museums/Fogg Museum, Donation of Mrs. Henry Lyman, 1979 Photo: Imaging Department © President and Fellows of Harvard College

Claude Monet, En Norvégienne, 1887

Claude Monet, En Norvégienne, 1887

In the "Norvegienne"

Oil on canvas, 97,5 x 130,5 cm Musée d'Orsay, Paris, legacy of Princesse Edmond de Polignac, 1947 Photo: © RMN-Grand Palais (Musée d'Orsay) / Hervé Lewandowski

Claude Monet, La Cabane du douanier, 1882

Claude Monet, La Cabane du douanier, 1882

The Customhouse

Oil on canvas, 61 x 75 cm Harvard Art Museums/Fogg Museum, Bequest of Annie Swan Coburn, 1934 Photo: Imaging Department © President and Fellows of Harvard College

Claude Monet, Près de Vernon, île aux Orties, 1897

Claude Monet, Près de Vernon, île aux Orties, 1897

Île aux Orties near Vernon

Oil on canvas, 73,3 x 92,7 cm The Metropolitan Museum of Art, Gift of Mr. and Mrs. Charles S. McVeigh, 1960 Photo: © bpk / The Metropolitan Museum of Art

Claude Monet, Jean-Pierre Hoschedé et Michel Monet au bord de l’Epte, um 1887-90

Claude Monet, Jean-Pierre Hoschedé et Michel Monet au bord de l’Epte, um 1887-90

Jean-Pierre Hoschedé and Michel Monet on the Banks of the Epte

Oil on canvas, 76 x 96,5 cm National Gallery of Canada, Ottawa, Gift of the Saidye Bronfman Foundation, 1995 Photo: © National Gallery of Canada

Claude Monet, Le Parlement, ciel orageux, 1904

Claude Monet, Le Parlement, ciel orageux, 1904

Houses of Parliament, Stormy Sky

Oil on canvas, 81 x 92 cm Palais des Beaux-Arts de Lille, legs de Maurice Masson, 1949 Photo: © RMN-Grand Palais / René-Gabriel Ojéda

Claude Monet, Les Glaçons oder Débâcle sur la Seine, 1880

Claude Monet, Les Glaçons oder Débâcle sur la Seine, 1880

Oil on canvas, 60 x 100 cm Paris, musée d'Orsay, donation de la baronne Eva Gebhard-Gourgaud, 1965 Foto: © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski

Claude Monet, Prairie à Giverny, effet d'automne, 1886

Claude Monet, Prairie à Giverny, effet d'automne, 1886

Meadow at Giverny, Autumn Effect

Oil on canvas, 92,1 x 81,6 cm Museum of Fine Arts, Boston, Juliana Cheney Edwards Collection Photo: © 2017 Museum of Fine Arts, Boston

Claude Monet, Matinée sur la Seine, 1897

Claude Monet, Matinée sur la Seine, 1897

Morning on the Seine

Oil on canvas, 81,9 x 93,3 cm Mead Art Museum, Amherst College, Massachusetts, Bequest of Miss Susan Dwight Bliss, 1966 Photo: Bridgeman Images

Claude Monet, Nymphéas, 1916-1919

Claude Monet, Nymphéas, 1916-1919

Water-Lilies

Oil on canvas, 200 x 180 cm Fondation Beyeler, Riehen/Basel, Beyeler Collection Photo: Robert Bayer

Claude Monet, Les Peupliers au bord de l’Epte, 1891

Claude Monet, Les Peupliers au bord de l’Epte, 1891

Poplars on the Banks of the Epte

Oil on canvas, 92,4 x 73,7 cm Tate, Presented by the Art Fund 1926 Photo: © Tate, London 2016

Theodore Robinson: Portrait of Monet, around 1888–90

Theodore Robinson: Portrait of Monet, around 1888–90

Cyanotype, 24 x 16,8 cm Terra Foundation for American Art, Chicago, gift of Mr. Ira Spanierman, 1985 Photo: © Terra Foundation for American Art, Chicago / Art Ressource, NY

Claude Monet, Pointes de rochers à Port-Domois, 1886

Claude Monet, Pointes de rochers à Port-Domois, 1886

Rocks at Belle-Île, Port-Domois

Oil on canvas, 81,3 x 64,8 cm Cincinnati Art Museum, Fanny Bryce Lehmer Endowment and The Edwin and Virginia Irwin Memorial, 1985 Photo: Bridgeman Images

Claude Monet, Coucher de soleil sur la Seine, l’hiver, 1880

Claude Monet, Coucher de soleil sur la Seine, l’hiver, 1880

Sunset on the Seine in Winter

Oil on canvas, 60,6 x 81,1 cm Pola Museum of Art, Pola Art Foundation

Claude Monet, La Terrasse à Vétheuil, 1881

Claude Monet, La Terrasse à Vétheuil, 1881

The Terrace at Vétheuil

Oil on canvas, 81 x 65 cm Private collection Photo: Robert Bayer

Claude Monet, Vue de Bordighera, 1884

Claude Monet, Vue de Bordighera, 1884

View of Bordighera

Oil on canvas, 66 x 81,8 cm The Armand Hammer Collection, Donation of the Armand Hammer Foundation. Hammer Museum, Los Angeles


Tino Sehgal

Tino Sehgal

© Asad Reza


Sammlung

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Bildnis von George Dyer beim Radfahren

Öl und Pastell auf Leinwand, 198 x 147,5 cm Fondation Beyeler, Riehen/Basel © 2017, The Estate of Francis Bacon/ProLitteris, Zürich Foto: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Öl auf Leinwand, 130 x 110 cm Fondation Beyeler, Riehen/Basel © Marlene Dumas Foto: Peter Cox

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Schreitender Mann II

Bronze, 189 x 26 x 110 cm Fondation Beyeler, Riehen/Basel © 2017, Fondation Giacometti/ProLitteris, Zürich Foto: Robert Bayer, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Öl auf Papier auf Jute, 99 x 74 cm Fondation Beyeler, Riehen/Basel Foto: Robert Bayer, Basel

Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (Mike Gunn) oder Mandas (Augustin Krämer) mit Vogel

Vermutlich Lemakot, Nord-Neuirland, Melanesien Holz, bemalt, eingesetzte Augen aus «Turbo petholatus»-Schneckenschalen, 77 cm Foto: Robert Bayer, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blauer Frauenakt, der Frosch

Ausgeschnittene Papiere, mit Gouache bemalt, auf Papier auf Leinwand, 141 x 134 cm Fondation Beyeler, Riehen/Basel © 2017 Succession H. Matisse/ProLitteris, Zürich Foto: Peter Schibli, Basel

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Seerosen

Öl auf Leinwand, 200 x 180 cm Fondation Beyeler, Riehen/Basel Foto: Peter Schibli, Basel


Installationsansichten

Der Park der Fondation Beyeler im Frühling

Ellsworth Kelly, White Curves, 2001, und Alexander Calder, The Tree, 1966 © Ellsworth Kelly; Calder Foundation, New York Foto: Mark Niedermann

Blick in die Sammlungspräsentation der Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923 Fondation Beyeler, Riehen/Basel, Sammlung Beyeler Foto: Mark Niedermann

Blick in die Sammlungspräsentation der Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, um 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, um 1918–1924 Fondation Beyeler, Riehen/Basel, Sammlung Beyeler Foto: Mark Niedermann

Blick in die Sammlungspräsentation der Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; mit Maske, Kepong oder Matua, Neuirland, Melanesien; Figur eines Kulturheroen oder Schöpferahns, Biwat-Gruppe, Yuat-Fluss, Unterer Sepik, Nordost-Neuguinea, Melanesien; Männliche Figur, Nalik, 18./19. Jahrhundert, Malom, Nordostküste, Neuirland, Melanesien; Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (Mike Gunn) oder Mandas (Augustin Krämer) mit Vogel, vermutlich Lemakot, Nord-Neuirland, Melanesien; Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (nach Mike Gunn: «Kopf-Regen»), Tabar-Inseln, Neuirland, Melanesien Foto: Mark Niedermann

Blick in die Sammlungspräsentation der Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006, Nuclear Family, 2013 © Marlene Dumas Foto: Mark Niedermann

Blick in die Sammlungspräsentation der Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992 © 2017, ProLitteris, Zürich / © Nachlass Felix Gonzalez-Torres Foto: Mark Niedermann


Architektur

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art and Pavilion (right-hand side), View from the Berower Park Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art, Exhibition Space Courtesy Atelier Peter Zumthor & Partner © Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art and Pavilion, View from the west along the Bachtelenweg in the direction of Baselstrasse Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art, View from the Iselin-Weber Park Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art, View from the Iselin-Weber Park Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor House for Art, View from the Iselin-Weber Park Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Installation view

Models and architectural plans for the extension project by Atelier Peter Zumthor Photo: Adriano Biondo

Installation view

Models and architectural plans for the extension project by Atelier Peter Zumthor Photo: Adriano Biondo

Installation view

Models and architectural plans for the extension project by Atelier Peter Zumthor Photo: Adriano Biondo

Peter Zumthor

Photograph: Martin Mischkulnig

Die Fondation Beyeler, built by Renzo Piano

Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Die Fondation Beyeler im Frühling

Foto: Mark Niedermann


Stimmungsbilder

Konzert am jährlich stattfindenden Sommerfest

Foto: Mathias Mangold

Das jährlich stattfindende Sommerfest

Foto: Mathias Mangold


Personen

Direktor Sam Keller

Foto: Matthias Willi

Kaufmännische Direktorin Ulrike Erbslöh

Foto: Matthias Willi


Ernst und Hildy Beyeler

Ernst Beyeler und Sam Keller

Foto: J. Isler

Hildy und Ernst Beyeler

Foto: Kurt Wyss

Ernst und Hildy Beyeler

Foto: Niggi Bräuning