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The visual material may be used solely for press purposes in connection with reporting on the exhibition. Reproduction is permitted only in connection with the current exhibition and for the period of its duration. Any other kind of use – in analogue or digital form – must be authorised by the copyright holder(s). Purely private use is excluded from that provision. Please use the captions given and the associated copyrights. We kindly request you to send us a complimentary copy.

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Contact

Silke Kellner-Mergenthaler
Head of Communications
Tel. +41 - (0)61 - 645 97 21
presse@fondationbeyeler.ch

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Balthus

Balthus, Thérèse, 1938

Oil on cardboard on wood, 100.3 x 81.3 cm
The Metropolitan Museum of Art, New York. Bequeathed by Mr. and Mrs. Allan D. Emil, in honor of William S. Lieberman, 1987
© Balthus, Photo: The Metropolitan Museum of Art/Art Resource/Scala, Florence

Balthus, La Partie de cartes, 1948 - 1950

Oil on canvas, 139.7 x 193.7 cm
Museo Nacional Thyssen-Bornemisza, Madrid
© Balthus

Balthus, Passage du Commerce-Saint-André, 1952–1954

Oil on canvas, 294 x 330 cm,
Private Collection
© Balthus
Photo: Mark Niedermann

Balthus, La Rue, 1933

Oil on canvas, 195 x 240 cm
The Museum of Modern Art, New York, Bequeathed by James Thrall Soby
© Balthus
Photo: © 2018. Digital image, The Museum of Modern Art, New York/Scala, Florence

Balthus, Les Enfants Blanchard, 1937

Oil on canvas, 125 x 130 cm
Musée national Picasso-Paris, Donation by the heirs of Picasso, 1973/1978
© Balthus
Photo: RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Balthus, Le Roi des chats, 1935

Oil on canvas, 78 x 49,7 cm
Musée cantonal des Beaux-Arts de Lausanne, Donation by the Fondation Balthus Klossowski de Rola, 2016
© Balthus
Photo: Etienne Malapert, Musée cantonal des Beaux-Arts de Lausanne

Balthus, Le Chat au miroir III, 1989-1994

Oil on canvas, 220 x 195 cm
Private collection, Asia
© Balthus

Le Cerisier, 1940

Oil on wood, 92 x 72,9 cm
Roman Family London
© Balthus

Balthus, 1948

Photo: Irving Penn
© The Irving Penn Foundation


Ernesto Neto

ERNESTO NETO, GAIAMOTHERTREE, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark

Photo: Niels Fabaek/Kunsten Museum of Modern Art, Aalborg


Picasso

Pablo Picasso, 1905, Acrobate et jeune arlequin

Gouache on cardboard
105 x 76 cm
Private collection
© Succession Picasso / ProLitteris, Zürich 2018

Pablo Picasso, La Vie, 1903

Oil on canvas, 197 x 127.3 cm
The Cleveland Museum of Art, Donation Hanna Fund
© Succession Picasso / ProLitteris, Zurich 2018
Photo: © The Cleveland Museum of Art

Pablo Picasso, Autoportrait, 1901

Oil on canvas, 81 x 60 cm
Musée national Picasso – Paris
© Succession Picasso / 2018, ProLitteris, Zurich
Photo : © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

[Translate to Englisch:] Pablo Picasso, Femme en chemise (Madeleine), 1904-1905

Oil on canvas, 72.7 x 60 cm
London, Tate, Bequeathed by C. Frank Stoop 1933
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Tate, London 2018

Pablo Picasso, Arlequin assis, 1901

Oil on canvas, 83.2 x 61.3 cm
New York, Metropolitan Museum of Art, Purchase Mr. and Mrs. John L. Loeb Gift, 1960
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: ©The Metropolitan Museum of Art/Art Resource/Scala, Florence

Pablo Picasso, Famille de saltimbanques avec un singe, 1905

Gouache, watercolour and ink on cardboard, 104 x 75 cm
Göteborg Konstmuseum, Purchase, 1922
© Succession Picasso / 2018, ProLitteris, Zurich
Photo: © Göteborg Konstmuseum


Beyeler Collection

Louise Bourgeois in her Studio in Brooklyn, 1996, with her sculpture SPIDER IV (detail)

© The Easton Foundation / VAGA at Artists Rights Society (ARS), NY / 2018, ProLitteris, Zurich,
Photo © Peter Bellamy

Joan Miró, Oiseau lunaire, 1966

MOON BIRD

Bronze, number 5/5,
234.0 x 210.0 x 150.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Successió Miró / 2018,
ProLitteris, Zurich
Photo: Robert Bayer

Paul Gauguin, La Vague, 1888

THE WAVE

Oil on canvas, 60.5 x 72.6 x 2.4 cm
Private Collection
Fondation Beyeler, Riehen/Basel

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Water Lillies

Oil on canvas, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Photo: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blue Female Nude, the Frog

Cut papers, painted with gouache, on paper on canvas, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Forest witches

Oil on paper on jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Head of a life-sized Malanggan puppet, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird

Probably Lemakot, North New Ireland, Melanesia, wood,
painted, inserted eyes made of «Turbo petholatus» snail shell, 77 cm
Fondation Beyeler, Riehen/Basel
Photo: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Walking Man II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zurich
Photo: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Oil and pastel on canvas,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zurich
Photo: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Oil on canvas, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Photo: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Concert at the annual Summer Party

Photo: Mathias Mangold

The annual Summer Party

Photo: Mathias Mangold

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension Project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
Pavilion and House for Art (left-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park
Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning