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Georg Baselitz

Georg Baselitz, Finger Painting—Eagle, 1972

Oil on canvas, 250 x 180 cm
Bayerische Staatsgemäldesammlungen,
Pinakothek der Moderne, Wittelsbacher Ausgleichsfonds, München
© Georg Baselitz, 2018
Photo: © Bayer&Mitko - ARTOTHEK

Georg Baselitz, Summer Morning, 1964

Oil on canvas, 162 x 130 cm
MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Ströher Collection
© Georg Baselitz, 2018
Photo: Galerie Michael Werner, Köln

Georg Baselitz, Oberon (1st Orthodox Salon 64—E. Neizvestny), 1964

Oil on canvas, 250 x 200 cm
Städel Museum, Frankfurt am Main
© Georg Baselitz, 2018
Photo: © Städel Museum - ARTOTHEK

Georg Baselitz, Various Signs, 1965

Oil on canvas, 162.5 x 130.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Georg Baselitz, 2017
Photo: Robert Bayer, Basel

Georg Baselitz, B for Larry, 1967

Oil on canvas, 250 x 190 cm
Friedrich Christian Flick Collection
© Georg Baselitz, 2018
Photo: St. Rötheli, Zürich

Georg Baselitz, Portrait of Elke I, 1969

Synthetic resin on canvas, 162 x 130 cm
Privately owned
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz, Bedroom, 1975

Oil and charcoal on canvas,
250 x 200 cm,
Private collection,
© Georg Baselitz, 2018,
Photo: Jochen Littkemann, Berlin

Georg Baselitz, Still Life, 1976/77

Oil on canvas, 250 x 200 cm
The Museum of Modern Art, New York, gift of Agnes Gund, 1991
© Georg Baselitz, 2018
Photo: © 2017. Digital image, The Museum of Modern Art, New York/Scala, Florenz

Georg Baselitz, The Gleaner, 1978

Oil and tempera on canvas, 330 x 250 cm
Solomon R. Guggenheim Museum, New York,
purchased with funds contributed by Robert and Meryl Meltzer, 1987
© Georg Baselitz, 2018
Photo: Courtesy Solomon R. Guggenheim Museum, New York

Georg Baselitz, Orange Eater (IX), 1981

Oil and tempera on canvas, 146 x 114 cm
Skarstedt, New York
© Georg Baselitz, 2018
Photo: Friedrich Rosenstiel, Köln

Georg Baselitz, Away from the Window, 1982

Oil on canvas,
250 x 250 cm,
Fondation Beyeler, Riehen/Basel, Beyeler Collection,
© Georg Baselitz, 2018

Georg Baselitz, Avignon ade, 2017

Oil on canvas, 480 x 300 cm
Privately owned
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz, The Brücke Chorus, 1983

Oil on canvas, 280 x 450 cm
Private collection
© Georg Baselitz, 2018
Photo: © 2014 Christie’s Images Limited

Georg Baselitz, Dystopian Couple, 2015

Oil on canvas, 400 x 600 cm
Courtesy of the artist and White Cube
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz, Women of Dresden—Karla, 1990

Ash wood and tempera, 158 x 67.5 x 57 cm
Froehlich Collection, Stuttgart
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz, My New Hat, 2003

Cedarwood and oil paint, 310.5 x 83.5 x 107 cm
Pinault Collection
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz, Mrs. Ultramarine, 2004

Cedarwood and oil paint, 295.5 x 94 x 107 cm
DASMAXIMUM KunstGegenwart, Traunreut
© Georg Baselitz, 2018
Photo: Jochen Littkemann, Berlin

Georg Baselitz in his studio in West Berlin, 1962

Photo: © Elke Baselitz 2018

Ernst Beyeler and Georg Baselitz, Schloss Derneburg, 1985

Photo: © Daniel Blau, Munich

Georg Baselitz in his studio at Schloss Derneburg, 1983

Photo: © Daniel Blau, Munich

Georg Baselitz and Enst Beyeler, 1992

Photographer unknown

Georg Baselitz in his studio, 2014

Photo: Peter Knaup, Berlin

Georg Baselitz at the Fondation Beyeler, 2018

Photo: Matthias Willi


Bacon-Giacometti

Alberto Giacometti and Francis Bacon, 1965

Gelatin silver print
Photo: © Graham Keen


Ernesto Neto

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark

Photo: Niels Fabaek/Kunsten Museum of Modern Art, Aalborg


Balthus

Balthus, Passage du Commerce-Saint-André, 1952–1954

Oil on canvas, 294 x 330 cm,
Private Collection
© Balthus
Photo: Mark Niedermann


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Seerosen

Öl auf Leinwand, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Foto: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blauer Frauenakt, der Frosch

Ausgeschnittene Papiere, mit Gouache bemalt, auf Papier auf Leinwand, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Öl auf Papier auf Jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Foto: Robert Bayer, Basel

Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (Mike Gunn) oder Mandas (Augustin Krämer) mit Vogel

Vermutlich Lemakot, Nord-Neuirland, Melanesien Holz, bemalt, eingesetzte Augen aus «Turbo petholatus»-Schneckenschalen, 77 cm
Foto: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Schreitender Mann II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zürich
Foto: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Bildnis von George Dyer beim Radfahren

Öl und Pastell auf Leinwand,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Öl auf Leinwand, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Foto: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Concert at the annual Summer Party

Photo: Mathias Mangold

The annual Summer Party

Photo: Mathias Mangold

Photo: Mathias Mangold


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion, View from the west along the Bachtelenweg
in the direction of Baselstrasse

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning