Copyright

The visual material may be used solely for press purposes in connection with reporting on the exhibition. Reproduction is permitted only in connection with the current exhibition and for the period of its duration. Any other kind of use – in analogue or digital form – must be authorised by the copyright holder(s). Purely private use is excluded from that provision. Please use the captions given and the associated copyrights. We kindly request you to send us a complimentary copy.

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Silke Kellner-Mergenthaler
Head of Communications
Tel. +41 - (0)61 - 645 97 21
presse@fondationbeyeler.ch

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Bacon-Giacometti

Francis Bacon, Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967

Oil on canvas
198 x 147 cm
Staatliche Museen zu Berlin, Nationalgalerie. 1967 acquired by the estate of Berlin
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: © bpk / Nationalgalerie, Staatliche Museen zu Berlin / Jörg P. Anders

Francis Bacon, Portrait of Michel Leiris, 1976

Oil on canvas
34 x 29 cm
Centre Georges Pompidou, Musée National d'Art Moderne, Donation Louise and Michel Leiris, 1984
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: © Centre Pompidou, MNAM-CCI, Dist. RMN-Grand-Palais / Bertrand Prévost

Francis Bacon, Study for Portrait VII, 1953

Oil on canvas
152.3 x 117 cm
Gift of Mr. and Mrs. William A.M. Burden. Acc. N.: 254.1956. © 2017. Digital image, The Museum of Modern Art, New York/Scala, Florence.
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich

Francis Bacon, Figure with Meat, 1954

Oil on canvas
129.9 x 121.9 cm
Harriott A. Fox Fund, 1956.1201. Chicago (IL), Art Insitute of Chicago. © 2017. The Art Institute of Chicago / Art Resource, NY/ Scala, Florence
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich

Francis Bacon, Three Studies of Figures on Beds, 1972

Oil and pastel on canvas, Triptychon
each 198 x 147.5 cm
Esther Grether Family Collection
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: Robert Bayer

Francis Bacon, Lying Figure, 1969

Oil on canvas
198 x 147.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: Robert Bayer

Francis Bacon, In Memory of George Dyer, 1971

Oil and dry transfer lettering on canvas
each 198 x 147.5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: Robert Bayer

Francis Bacon, Self Portrait, 1987

Oil and aerosol paint on canvas
35.5 x 30.5 cm
Private Collection, New York
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich

Francis Bacon, Three Studies for Portraits (including Self-Portrait), 1969

Oil on canvas, Tryptichon
35.5 x 30.5 cm
Private Collection
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: Prudence Cuming Associates Ltd.

Please adhere to the Terms of Use when reproducing the works of Alberto Giacometti

Alberto Giacometti, L'homme qui marche II, 1960

Plaster
188.5 x 29.1 x 111.2 cm
Fondation Giacometti Paris
© Succession Alberto Giacometti / 2018, ProLitteris, Zurich

Alberto Giacometti, Tête d'Isabel, 1937 - 1939

Plaster and pencil
21.6 x 16 x 17.4 cm
Fondation Giacometti, Paris
© Succession Alberto Giacometti / 2018, ProLitteris, Zurich

Alberto Giacometti, Grande tête mince, 1954

Painted plaster
65.6 x 39.1 x 24.9 cm
Fondation Giacometti, Paris
© Succession Alberto Giacometti/2018, ProLitteris, Zurich

Alberto Giacometti, Boule suspendue, 1930

Alberto Giacometti
Boule suspendue, 1930
Plaster and metal
61 x 36 x 33,5 cm
Kunstmuseum Basel, Depositum of the Foundation Alberto Giacometti
© Succession Alberto Giacometti / 2018, ProLitteris, Zurich
Photo: © Kunsthaus Zürich

Alberto Giacometti, Buste d'homme (dit New York I), 1965

Plaster
55 x 28.4 x 16.3 cm
Fondation Giacometti, Paris
© Succession Alberto Giacometti/2018, ProLitteris, Zurich

Alberto Giacometti, Caroline, 1961

Oil on canvas
100 x 82 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Succession Alberto Giacometti/2018, ProLitteris, Zurich
Photo: Robert Bayer

Alberto Giacometti, La cage (première version), 1950

Bronze
90.6 x 37.6 x 34.3 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Succession Alberto Giacometti/2018, ProLitteris, Zurich
Photo: Peter Schibli

Alberto Giacometti, Femme au chariot, approx. 1945

Plaster
154.5 x 33.5 x 35.3 cm
Fondation Giacometti, Paris
© Succession Alberto Giacometti/2018, ProLitteris, Zurich

Alberto Giacometti, Le Nez, 1947-49

Plaster
43,6 × 9 × 61,6 cm
Fondation Giacometti, Paris
© Succession Alberto Giacometti/2018, ProLitteris, Zurich

Francis Bacon's 7 Reece Mews studio, London, 1998

Photographed by Perry Ogden
© The Estate of Francis Bacon. All rights reserved / 2018, ProLitteris, Zurich
Photo: Perry Ogden/DACS/Artimage

Giacometti painting in his studio in Paris, next to him La Grande Tête, Paris, ca. 1957

Photograph by Ernst Scheidegger
© 2018 Stiftung Ernst Scheidegger-Archiv, Zürich

Alberto Giacometti und Francis Bacon, 1965

Gelatin silver print
© Graham Keen

Alberto Giacometti and Francis Bacon, 1965

Gelatin silver print
© Graham Keen

Multimedia room in the exhibition "Bacon - Giacometti" in the Fondation Beyeler

Photo: Mark Niedermann

Multimedia room in the exhibition "Bacon - Giacometti" in theFondation Beyeler

Photo: Mark Niedermann

360° Video in the context of the exhibition "Bacon - Giacometti" in the Fondation Beyeler

Photo: Mark Niedermann


Ernesto Neto

ERNESTO NETO, GAIAMOTHERTREE, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto, GaiaMotherTree, 2018

Zurich Main Station
Fondation Beyeler
Photo: Mark Niedermann

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark

Photo: Niels Fabaek/Kunsten Museum of Modern Art, Aalborg


Picasso

Pablo Picasso, Femme à la chemise, c. 1905

Oil on canvas
72.7 x 60 cm
Tate: Bequeathed by C. Frank Stoop 1933
© Succession Picasso / ProLitteris, Zürich, 2018
© Tate, London 2017

Pablo Picasso, Femme de l'île de Majorque, 1905

Tempera, watercolour and gouache on cardboard
67 x 51 cm
© Succession Picasso / ProLitteris, Zürich 2018

Pablo Picasso, Arlequin accoudé, 1901

Oil on canvas
83.2 x 61.3 cm
New York, Metropolitan Museum of Art, Gift of Mr. and Mrs. John L. Loeb Gift, 1960
© Succession Picasso / ProLitteris, Zürich 2018
Photo ©The Metropolitan Museum of Art/Art Resource/Scala, Florence

Pablo Picasso, Autoportrait, 1901

Oil on canvas
81 x 60 cm
Musée national Picasso - Paris, © Succession Picasso / ProLitteris, Zürich 2018
Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Mathieu Rabeau

Pablo Picasso, Acrobate et jeune arlequin, 1905

Gouache on cardboard
105 x 76 cm
Private collection
© Succession Picasso / ProLitteris, Zürich 2018

Pablo Picasso, Femme à l'éventail, 1905

Oil on canvas
100.3 x 81 cm
National Gallery of Art, Washington, Gift of the W. Averell Harriman Foundation in memory of Marie N. Harriman, 1972.9.19
© Succession Picasso / ProLitteris, Zürich 2018

Pablo Picasso, Famille d'acrobates au singe, 1905

Gouache, watercolour, pastel and ink on cardboard,
104 x 75 cm
Gothenburg Museum of Art, Sweden, GKM 699
© Succession Picasso / ProLitteris, Zürich 2018
Photo: Gothenburg Museum of Art, Sweden

Pablo Picasso, Nu sur fond rouge, c. 1906

Oil on canvas
81 x 54 cm
Paris, musée de l'Orangerie, collection Jean Walter et Paul Guillaume
© Succession Picasso Picasso / ProLitteris, Zürich 2018
Photo © RMN-Grand Palais (musée de l'Orangerie) / Hervé Lewandowski

Pablo Picasso, Femme (Epoque des «Demoiselles d’Avignon»), 1907

Pablo Picasso, Femme (Epoque des «Demoiselles d’Avignon»), 1907

Frau (Epoche der «Demoiselles d’Avignon»)

Oil on canvas, 119 x 93,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, Succession Picasso/ProLitteris, Zürich
Foto: Robert Bayer, Basel


Balthus

Balthus, Thérèse, 1938

Oil on cardboard on wood, 100.3 x 81.3 cm
The Metropolitan Museum of Art, New York. Bequeathed by Mr. and Mrs. Allan D. Emil, in honor of William S. Lieberman, 1987
© Balthus, Photo: The Metropolitan Museum of Art/Art Resource/Scala, Florence

Balthus, La Partie de cartes, 1948 - 1950

Oil on canvas, 139.7 x 193.7 cm
Museo Nacional Thyssen-Bornemisza, Madrid
© Balthus

Balthus, Passage du Commerce-Saint-André, 1952–1954

Oil on canvas, 294 x 330 cm,
Private Collection
© Balthus
Photo: Mark Niedermann


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Seerosen

Öl auf Leinwand, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Foto: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blauer Frauenakt, der Frosch

Ausgeschnittene Papiere, mit Gouache bemalt, auf Papier auf Leinwand, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Öl auf Papier auf Jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Foto: Robert Bayer, Basel

Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (Mike Gunn) oder Mandas (Augustin Krämer) mit Vogel

Vermutlich Lemakot, Nord-Neuirland, Melanesien Holz, bemalt, eingesetzte Augen aus «Turbo petholatus»-Schneckenschalen, 77 cm
Foto: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Schreitender Mann II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zürich
Foto: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Bildnis von George Dyer beim Radfahren

Öl und Pastell auf Leinwand,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Öl auf Leinwand, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Foto: Peter Cox


Museum

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The park of the Fondation Beyeler in springtime

Ellsworth Kelly, White Curves, 2001, and Alexander Calder, The Tree, 1966
© Ellsworth Kelly; Calder Foundation, New York
Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

Concert at the annual Summer Party

Photo: Mathias Mangold

The annual Summer Party

Photo: Mathias Mangold

Opening of the exhibition "Monet", 2017

Photo: Mathias Mangold

An intimate evening with Bryan Ferry presented by Fondation Beyeler and Bayer

Photo: Caroline Minjolle


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Extension Project

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

Extension Project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
Pavilion and House for Art (left-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning