Copyright

The visual material may be used solely for press purposes in connection with reporting on the exhibition. Reproduction is permitted only in connection with the current exhibition and for the period of its duration. Any other kind of use – in analogue or digital form – must be authorised by the copyright holder(s). Purely private use is excluded from that provision. Please use the captions given and the associated copyrights. We kindly request you to send us a complimentary copy.

Press Releases

Contakt

Silke Kellner-Mergenthaler
Head of Communications
Tel. +41 - (0)61 - 645 97 21
silke.kellner@fondationbeyeler.ch

{{category.title}}
Category
  • {{category.title}}

Paul Klee

Paul Klee, Flowering, 1934, 199

Oil on priming on canvas on stretcher, 81.5 × 80 cm, Kunstmuseum Winterthur, Bequest of Dr. Emil and Clara Friedrich-Jezler, 1973,
Photo: © Schweizerisches Institut für Kunstwissenschaft, Zürich, Philipp Hitz

Paul Klee, Park near Lu., 1938, 129

Oil and colored paste on newsprint on burlap, 100 × 70 cm,
Zentrum Paul Klee, Bern

Paul Klee, Kairouan, Before the Gate, 1914, 72

Watercolor and pencil on paper on cardboard, 13.5 × 22 cm,
Moderna Museet, Stockholm

Paul Klee, In the Kairouan Style, Transposed in a Moderate Way, 1914, 211

Watercolor and pencil on paper, marginal stripe with pen at the bottom,
on cardboard, 12.3 × 19.5 cm,
Zentrum Paul Klee, Bern

Paul Klee, With the Brown Triangle, 1915, 39

Watercolor on paper on cardboard, 20 × 23 cm,
Kunstmuseum Bern

Paul Klee, Interplay of Forces of a Lech-River Landscape, 1917, 102

Watercolor on chalk priming on canvas and newsprint on cardboard, 16.4 × 24.3 cm,
Galerie Rosengart, Lucerne

Paul Klee, Celestial Blossoms above the Yellow House (The Chosen House), 1917, 74

Watercolor and gouache on chalk priming on linen on paper,
bordered with watercolor, on cardboard, 23 × 15 cm,
Staatliche Museen zu Berlin, Nationalgalerie, Museum Berggruen,
© bpk / Nationalgalerie, SMB, Museum Berggruen / Jens Ziehe

Paul Klee, The Chapel, 1917, 127

Watercolor and white tempera on paper on cardboard, 29.2 × 15.4 cm, Fondation Beyeler, Riehen/Basel, Beyeler Collection, Photo: Peter Schibli

Paul Klee, Urban Composition with Yellow Windows, 1919, 267

Watercolor on paper on cardboard, 29.5 × 22.3 cm,
Ulmer Museum, Ulm

Paul Klee, Architecture in Red and Green, 1921, 47

Watercolor and pencil on paper, top and bottom paper strips added, on cardboard,
14.7 x 26.2 cm, Private collection, Switzerland

Paul Klee, Fugue in Red, 1921, 69

Watercolor and pencil on paper, left and right paper strips added, on cardboard, 24.4 × 31.5 cm,
Private collection, Switzerland, on permanent loan to the Zentrum Paul Klee, Bern

Paul Klee, Polyphonic Currents, 1929, 23

Watercolor and pen on paper on cardboard, 43.9 × 28.9 cm,
bpk / Kunstsammlung Nordrhein-Westfalen, Düsseldorf

Paul Klee, Before the Lightning, 1923, 150

Watercolor and pencil on paper, 28 × 31.5 cm,
Fondation Beyeler, Riehen/Basel, Beyeler Collection,
Photo: Peter Schibli

Paul Klee, Fire in the Evening, 1929, 95

Oil on cardboard; original frame strips, 33.8 × 33.3 cm, The Museum of Modern Art, New York, Mr. and Mrs. Joachim Jean Aberbach Fund, 1970,
© 2016. Digital image, The Museum of Modern Art, New York/Scala, Florence

Paul Klee, View into the Fertile Country, 1932, 189

Oil on cardboard, 48.5 × 34.5 cm,
Städel Museum, Frankfurt am Main,
© Städel Museum - U. Edelmann – ARTOTHEK

Paul Klee, Boats in the Flood Waters, 1937, 222

Colored paste on paper on cardboard, 49.5 × 32.5 cm,
Fondation Beyeler, Riehen/Basel, Beyeler Collection,
Photo: Robert Bayer

Paul Klee, Zeichen in Gelb, 1937, 210 (U 10)

Paul Klee, Signs in Yellow, 1937, 210 (U 10)

Pastel on cotton on colored paste on burlap on stretcher; original frame strips, 83.5 × 50.3 cm,
Fondation Beyeler, Riehen/Basel, Beyeler Collection,
Photo: Robert Bayer

Paul Klee, The Vase, 1938, 122

Colored paste on burlap on burlap on stretcher, 88 × 54.5 cm, Fondation Beyeler, Riehen/Basel, Beyeler Collection, Photo: Peter Schibli

Paul Klee, Ludus Martis, 1938, 141

Oil and colored paste on cotton on plywood, 43 x 37.5/38.5 cm,
Collection Stedelijk Museum Amsterdam,
c/o Pictoright Amsterdam 2004

Paul Klee, The Red and the Black, 1938, 319

Oil and watercolor on plaster priming on burlap on wood; original frame strips, 32.5 × 63 cm,
Von der Heydt-Museum Wuppertal,
Photo: Antje Zeis-Loi, Medienzentrum

Paul Klee, Dessau, 1929

Photograph by Josef Albers,
© 2017 The Josef and Anni Albers Foundation,
Bethany / VG Bild-Kunst, Bonn

Paul Klee in his studio, Kistlerweg 6, Bern, April 1938

Photograph by Felix Klee,
Zentrum Paul Klee, Bern, Gift of the Klee family,
© Klee-Nachlassverwaltung, Bern

Paul Klee with his cat, Fripouille, Possenhofen, 1921

Photograph by Felix Klee,
Zentrum Paul Klee, Bern, Gift of the Klee family,
© Klee-Nachlassverwaltung, Bern


Beyeler Collection / Cooperations

Max Ernst, L’ange du foyer (Le triomphe du surréalisme), 1937

Oil on canvas, 114 x 146 cm
Private Collection
© 2017, ProLitteris, Zurich

Gerhard Richter, Vierwaldstätter See, 1969

Oil on canvas, 120 x 150 cm
Daros Collection, Switzerland
© Gerhard Richter 2017 (0247)

Sam Francis, Round the World, 1958-59

Oil on canvas, 276,5 x 321,5 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Sam Francis Foundation, California / 2017, ProLitteris, Zürich
Photo: Robert Bayer

Clyfford Still, PH -131, 1951

Oil on canvas, 297,2 x 266,7
Private Collecton. Courtesy Hauser & Wirth
© 2017, ProLitteris, Zurich
Photo: Delfanne Photography

Morris Louis, Gamma Tau, 1960

Acrylic resin (Magna) on canvas, 261 x 422.9 cm
Private Collection. Courtesy Hauser & Wirth
© Maryland College Institute of Art (MICA), All Rights Reserved / 2017,
ProLitteris, Zurich
Photo: Delfanne Photography

Peter Doig, Pelican (Stag), 2004

Oil on canvas, 276 x 200,5 cm
Private Collection, Courtesy Michael Werner
Gallery, New York and London
© 2017, ProLitteris, Zurich
Photo: © Mark Woods

Gerhard Richter, Haggadah, 2006

Oil on canvas, 152 x 152 cm
Private Collection
© Gerhard Richter, 2017 (0257)

Sigmar Polke, Paganini, 1980-1982

Dispersion on canvas, 200 x 450 cm
Daros Collection, Schweiz
© The Estate of Sigmar Polke, Cologne / 2017, ProLitteris, Zurich

Yves Klein, Anthropométrie sans titre (ANT 106), 1960

Dry pigment and synthetic resin on paper laid down on canvas, 200 x 500 cm
Private Collection
© Estate of Yves Klein, ADAGP, Paris / ProLitteris, Zurich, 2017

Louise Bourgeois, Les Fleurs, 2009

Gouache on paper, suite of 12, 597 x 45.7 cm each
Collection The Easton Foundation
© The Easton Foundation / 2017, ProLitteris, Zurich
Photo: © Christopher Burke

Louise Bourgeois, The Hours of the Day, 2006

Watercolor and colored pencil on embossed paper,
suite of 24, 26 x 18.4 cm each
Collection The Easton Foundation
© The Easton Foundation / 2017, ProLitteris, Zurich
Photo: © Christopher Burke

Louise Bourgeois, The Hours of the Day, 2006

Watercolor and colored pencil on embossed paper,
suite of 24, 26 x 18.4 cm each
Collection The Easton Foundation
© The Easton Foundation / 2017, ProLitteris, Zurich
Photo: © Christopher Burke

Roy Lichtenstein, Tex!, 1962

Oil, magna and pencil on canvas, 172.7 x 203.2 cm
Esther Grether Familiensammlung / Esther Grether Family Collection
© Estate of Roy Lichtenstein / 2017, ProLitteris, Zurich
Photo: Martin P. Bühler

Andy Warhol, Skull, 1976-77

Synthetic polymer paint and silkscreen on canvas, 38,1 x 48,3 cm
Private Collection, Switzerland
© The Andy Warhol Foundation for the Visual Arts, Inc. / 2017, ProLitteris, Zurich

Skull, 18. century

Faience, 22 x 26.5 x 18 cm
Private Collection, Switzerland
Photo: Martin P. Bühler

Artist unknown, Malagan mask

Papua New Guinea, Bismarck Archipelago, northern New Ireland
Wood, height 82 cm
Inv. 4318 Musée Barbier-Mueller
Photo: © studio Ferrazzini-Bouchet


Georg Baselitz

Georg Baselitz, Fingermalerei - Adler, 1972

Oil on canvas,
250 x 180 cm,
München, Pinakothek der Moderne,
© Georg Baselitz, 2018,
Photo: © Bayer&Mitko - ARTOTHEK

Georg Baselitz, Verschiedene Zeichen, 1965

Oil on canvas, 162.5 x 130.0 cm
Fondation Beyeler, Riehen/Basel, Beyeler Collection
© Georg Baselitz, 2017
Photo: Robert Bayer, Basel

Georg Baselitz, Orangenesser IV, 198

Oil and tempera on canvas,
146 x 114 cm,
München, Pinakothek der Moderne,
© Georg Baselitz, 2018,
Photo: © Bayer&Mitko - ARTOTHEK

Georg Baselitz, Schlafzimmer, 1975

Oil and charcoal on canvas,
250 x 200 cm,
Private collection,
© Georg Baselitz, 2018,
Photo: Jochen Littkemann, Berlin

Georg Baselitz, Weg vom Fenster, 1982

Oil on canvas,
250 x 250 cm,
Fondation Beyeler, Riehen/Basel, Beyeler Collection,
© Georg Baselitz, 2018


Bacon-Giacometti

Alberto Giacometti and Francis Bacon at Tate Gallery, London (1965)

Photo: Graham Keen


Ernesto Neto

Ernesto Neto during the installation of Rui Ni / Voices of the Forest at Kunsten Museum of Modern Art Aalborg, Denmark

Photo: Niels Fabaek/Kunsten Museum of Modern Art, Aalborg


Balthus

Balthus, Passage du Commerce-Saint-André, 1952–1954

Oil on canvas, 294 x 330 cm,
Private Collection
© Balthus
Photo: Mark Niedermann


Beyeler Collection

Claude Monet, Nymphéas, 1916 – 1919

Claude Monet, Nymphéas, 1916 – 1919

Seerosen

Öl auf Leinwand, 200 x 180 cm
Fondation Beyeler, Riehen/Basel
Foto: Peter Schibli, Basel

Henri Matisse, Nu bleu, la grenouille, 1952

Henri Matisse, Nu bleu, la grenouille, 1952

Blauer Frauenakt, der Frosch

Ausgeschnittene Papiere, mit Gouache bemalt, auf Papier auf Leinwand, 141 x 134 cm
Fondation Beyeler, Riehen/Basel
© 2017 Succession
H. Matisse/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Paul Klee, Wald-Hexen, 1938, 145 (K5)

Öl auf Papier auf Jute, 99 x 74 cm
Fondation Beyeler, Riehen/Basel
Foto: Robert Bayer, Basel

Kopf einer lebensgrossen Malanggan-Puppe, Kovabat (Mike Gunn) oder Mandas (Augustin Krämer) mit Vogel

Vermutlich Lemakot, Nord-Neuirland, Melanesien Holz, bemalt, eingesetzte Augen aus «Turbo petholatus»-Schneckenschalen, 77 cm
Foto: Robert Bayer, Basel

Alberto Giacometti, L’homme qui marche II, 1960

Alberto Giacometti, L’homme qui marche II, 1960

Schreitender Mann II

Bronze, 189 x 26 x 110 cm
Fondation Beyeler, Riehen/Basel
© 2017, Fondation
Giacometti/ProLitteris, Zürich
Foto: Robert Bayer, Basel

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Francis Bacon, Portrait of George Dyer Riding a Bicycle, 1966

Bildnis von George Dyer beim Radfahren

Öl und Pastell auf Leinwand,
198 x 147,5 cm
Fondation Beyeler, Riehen/Basel
© 2017, The Estate of Francis Bacon/ProLitteris, Zürich
Foto: Peter Schibli, Basel

Marlene Dumas, Broken White, 2006

Marlene Dumas, Broken White, 2006

Öl auf Leinwand, 130 x 110 cm
Fondation Beyeler, Riehen/Basel
© Marlene Dumas
Foto: Peter Cox


Installation views

View of the permanent collection of the Fondation Beyeler, Monet room, 2013

Claude Monet, Le bassin aux nymphéas, around 1917–1920 and La cathédrale de Rouen: Le portail (Effet du matin), 1894
Fondation Beyeler, Riehen/Basel, Beyeler Collection
Ellsworth Kelly, White Ring, 1963, private collection, © 2013, Ellsworth Kelly
photo: Serge Hasenböhler

View of the permanent collection of the Fondation Beyeler, 2014

Paul Klee, Glüht nach, 1939, Ohne Titel (Gefangen/Diesseits–Jenseits/Figur), um 1940, Zeichen in Gelb, 1937, Schlamm-Assel-Fisch, 1940, Mumom sinkt trunken in den Sessel, 1940, Vor dem Blitz, 1923
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Louise Bourgeois, Lair, 1962, In Respite, 1992, Felix Gonzalez-Torres, “Untitled” (For New York), 1992
© 2017, ProLitteris, Zurich / © The Felix Gonzalez-Torres Foundation
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2015

Henri Rousseau, Le lion, ayant faim, se jette sur l’antilope, 1898/1905; with mask, Kepong or Matua, New Ireland, Melanesia;
figure of a cultural hero or creator ancestor, Biwat group, Yuat River, Lower Sepik region, northeastern New Guinea, Melanesia; male figure, Nalik, 18th/19th century, Malom, northeast coast, New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat (Mike Gunn) or Mandas (Augustin Krämer) with bird, probably Lemakot, northern New Ireland, Melanesia; head of a life-size Malanggan doll, Kovabat, (according to Mike Gunn: "Head-Rain"), Tabar Islands, New Ireland, Melanesia
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2016

Marlene Dumas, The Swan, 2015, Broken White, 2006,
Nuclear Family, 2013
© Marlene Dumas
photo: Mark Niedermann

View of the permanent collection of the Fondation Beyeler, 2014

Claude Monet, Le bassin aux nymphéas, around 1917-1920, Auguste Rodin, Iris, messagère des dieux (Figure volante), 1890/91, Claude Monet, Le pont japonais, around 1918–1924
Fondation Beyeler, Riehen/Basel, Beyeler Collection
photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”,

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann

Installation view exhibition “Wolfgang Tillmans”

Fondation Beyeler, Riehen/Basel, 2017; photo: Mark Niedermann


Architecture

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler, designed by Renzo Piano

Photo: Mark Niedermann

The Fondation Beyeler in springtime

Photo: Mark Niedermann

The Artshop at the Fondation Beyeler

Photo: Mark Niedermann

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion (right-hand side), View from the Berower Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, Exhibition Space
Courtesy Atelier Peter Zumthor & Partner
© Successió Miró / Calder Foundation, New York / Art Resource, NY / 2017, ProLitteris, Zürich

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art and Pavilion, View from the west along the Bachtelenweg
in the direction of Baselstrasse

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

extension project

The extension project of the Fondation Beyeler by Atelier Peter Zumthor
House for Art, View from the Iselin-Weber Park

Courtesy Atelier Peter Zumthor & Partner

The Iselin-Weber Park

Photograph: Mark Niedermann

Peter Zumthor

Photograph: Martin Mischkulnig

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo

Extension project

Models and architectural plans by Atelier Peter Zumthor
Photo: Adriano Biondo


Stimmungsbilder

Konzert am jährlich stattfindenden Sommerfest

Foto: Mathias Mangold

Das jährlich stattfindende Sommerfest

Foto: Mathias Mangold


People

Director Sam Keller

Photo: Matthias Willi

Managing Director Ulrike Erbslöh

Photo: Matthias Willi


Ernst and Hildy Beyeler

Ernst Beyeler and Sam Keller

Photo: J. Isler

Hildy and Ernst Beyeler

Photo: Kurt Wyss

Ernst and Hildy Beyeler in front of Galerie Beyeler

Photo: Niggi Bräuning